What Makes Melody So Memorable? Slate’s Culture Gabfest Weighs In.

Slate's weekly roundtable.
Aug. 7 2013 10:24 AM

The Culture Gabfest “Take It to the Bridge” Edition

Slate's podcast about The Spectacular Now, the FX crime drama The Bridge, and the power of melody.

Listen to Culture Gabfest No. 255 with Stephen Metcalf, Dana Stevens, and Julia Turner with the audio player below:

And join the lively conversation on the Culturefest Facebook page here:

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On this week’s episode, our critics discuss James Ponsoldt’s new high school romance The Spectacular Now. Does the movie manage to capture the adolescent ennui that older films like Say Anything and The Breakfast Club nailed, or is it just another one of those coming-of-age dramas? Next, the gab crew reviews the new FX series The Bridge, a crime show that’s set in an especially charged location—the border between Juárez, Mexico and the Texas city of El Paso. Lastly, the gabfest was inspired by a recent essay on the power of melody written by Jan Swafford in Slate. Our critics discuss Swafford’s piece, share how melodies move them, and cite some of their favorites in the process.

Here are links to some of the things we discussed this week:

Endorsements:

Stephen: The band The Bats.
Dana: The John Frankenheimer film Seconds.
Julia: The Deep Blue Good-by: A Travis McGee Novel, by John D. MacDonald.

Outro: “Don’t You Forget About Me,” by Simple Minds.

You can email us at culturefest@slate.com.

This podcast was produced by Dan Pashman. Our intern is Sam McDougle.

Follow us on Twitter. And please Like the Culture Gabfest on Facebook.

Stephen Metcalf is Slate's critic at large. He is working on a book about the 1980s.

Dana Stevens is Slate's movie critic.

Julia Turner is the editor in chief of Slate and a regular on Slate's Culture Gabfest podcast.

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