The Twenty Greatest Wu-Tang Clan Albums, Ranked. Blaaow!

Notes from a fan who's seen it all.
Nov. 13 2013 11:50 PM

The Twenty Greatest Wu-Tang Clan Albums

Including one from U-God!

Wu-Tang Clan
These guys have made more than 50 albums. Here are the 20 best.

Photo courtesy Official Wu-Tang/Facebook

Below is an entirely subjective and probably incorrect ranking of the 20 greatest Wu-Tang Clan albums, as subject to my own inconsistent definition of the category.

1) Enter the Wu-Tang: 36 Chambers, Wu-Tang Clan, 1993

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The only easy decision on this list.

2) Liquid Swords, GZA, 1995

GZA and RZA are the Wu’s cerebrum, and Liquid Swords is the quintessential Wu solo album, the spiritual and intellectual inheritor of 36 Chambers. From its title track to “Cold World” to the incredible “Shadowboxin’,” Liquid Swords boasts dazzling rhymes and arguably the greatest production of RZA’s career. A majestically sophisticated work.

3) Only Built 4 Cuban Linx…, Raekwon, 1995

Ranking Liquid Swords over Cuban Linx was the hardest decision here, and truth be told I probably listen to Cuban Linx more frequently. Affectionately known as “the Purple Tape,” Linx is a sprawling epic of crime and grime so vivid it feels less like a Wu satellite than a world unto itself. If “Ice Cream” were literally the only track on this album, it would still rank this high.

4) Fishscale, Ghostface Killah, 2006

Coke rap’s Blonde on Blonde. Ghostface has forged the greatest solo career of any Wu affiliate by a considerable margin, and Fishscale, which he released at the spry age of 35, might be his masterpiece. “Shakey Dog,” the album’s de facto opener, is four minutes of relentless narrative, and 22 tracks later you still haven’t caught your breath.

5) Supreme Clientele, Ghostface Killah, 2000

The only sophomore Wu solo effort that exceeds its predecessor (unless you count GZA’s 1992 Words from the Genius as a Wu solo effort, which I don’t). Highlights include “Apollo Kids” and the phenomenal posse track “Buck 50,” and even the interludes are great; never has audio from a ’60s cartoon show sounded so badass.

6) Return to the 36 Chambers: The Dirty Version, Ol’ Dirty Bastard, 1995

Strictly in terms of quality, Return should probably be several spots lower than this, but no album better exemplifies the crazed, phantasmagoric side of Wu so critical to their early years. “Brooklyn Zoo” and “Cuttin’ Headz” are vintage ODB, and “Shimmy Shimmy Ya” offered hip-hop’s best piano riff since “The Bridge Is Over.”

7) Tical, Method Man, 1994

Even if its sequels bred disappointment, Tical—the first Wu solo project to be released on the heels of 36 Chambers—is a classic of mid-1990s rap. Coming off 36 Chambers, Meth was a can’t-miss star, and Tical, which boasts bangers like “Release Yo’ Delf” and the seminal “Bring the Pain,” lived up to the hype. The album version of “All I Need” is less famous than the Mary J. Blige remix but no less compelling.

8) Wu-Tang Forever, Wu-Tang Clan, 1997

Wu-Tang Forever arrived as a double album at a time when that still meant lugging around two CDs in your Case Logic wallet. At the time of its release, both the album and its expectations felt so daunting it seemed impossible to evaluate, but it’s aged remarkably well, and its best tracks—such as “It’s Yourz,” “Reunited,” “Visionz,” “Triumph”—are worthy of its predecessor

9) Ironman, Ghostface Killah, 1996

By the time Ghostface’s tour de force solo debut finally arrived in 1996, it almost felt like an afterthought, which gives a sense of how insane the output of RZA, et al. was during this period. “Daytona 500” is one of the most thrilling displays of rhymesmanship in the Wu catalogue, and “All That I Got Is You” is a work of stunning depth that foretold the greatness to come from Ghostface.

10) Uncontrolled Substance, Inspectah Deck, 1999

Inspectah Deck has a bone to pick with fate. Uncontrolled Substance was supposed to be released in 1995 before a flood at RZA’s studio destroyed most of the album’s tracks. The album then got lost in the shuffle, and by the time Uncontrolled Substance finally emerged in 1999, almost simultaneous with the arrival of Ol’ Dirty Bastard’s Nigga Please, the Rebel INS’ solo debut had gone from being released in the same breath as Cuban Linx and Liquid Swords to being released when the dominant Wu-related storyline was what crazy thing ODB was going to do next. A shame, and Uncontrolled Substance is an excellent if underheard album.

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