Read more from Slate’s special issue on the future of food.
A chef, a meat scientist, and an Oklahoma State food researcher walk into a beef summit in Chicago. It sounds like the setup to the world’s nerdiest gastronomy joke, but what actually happened one Tuesday this spring was that the trio unveiled their Vegas Strip Steak™, taken from an undisclosed part of the cow that has supposedly only ever been used for burgers, and proclaimed the cut of beef so earth-shatteringly original that they will be filing a patent for their knife strokes.
The news struck a nerve in the blogosphere, with responses ranging from ridicule to, in the case of Slate’s own Matthew Yglesias, bemusement. But the mocking responses don’t totally add up. People readily accept that industries like manufacturing or pharmaceuticals deserve legal protections for their inventions—so why do we get so uneasy when our taste buds are involved?
Patent law’s roots extend back to medieval times in England, and at its essence, it’s barely changed at all. The concept is to spur innovation by giving inventors the exclusive right to profit from their creations for a fixed amount of time (usually 20 years). Though the first patent on U.S. soil may have been for a method of making salt, Americans still tend to take issue with intellectual property being applied to food. Eating is such a basic, visceral human need that we switch into outrage mode when we hear about someone “owning” some aspect of our consumption. Food is something we share and value as social beings—how can a company possibly declare a monopoly on processed cheese or the act of putting a cucumber between two pieces of bread?
Claims like these are made every day. Last year the United States Patent and Trademark Office approved nearly 1,200 patents associated with Food or Edible Material—a drop in the bucket compared to the 247,000 total grants, but hardly small fry (though fries, incidentally, have been patented, too). Most are filed by large industrial producers and restaurant chains though there are also a handful of creative chefs who have patented everything from flavored forks to inkjet-printer sushi.
Given the restaurant industry's historically open-source atmosphere, many of its members are wary of intellectual property, even if they stand to potentially make money from their innovations. (“We’re all standing on the shoulders of chefs who came before,” says Wylie Dufresne of New York’s wd~50.) Part of their reticence is practical: Patents can be costly and time-intensive to acquire, and your average sub-shop owner can’t realistically enforce a patent short of jet-setting around the world to spy on competitors.
The recent influx of culinary copyright and plagiarism cases—cookbook authors bickering about recipes, New York chefs suing each other over lobster rolls—reflects rising financial stakes in the industry. Still, while copyright law draws a clear line in the sand on food writing (cookbooks are protected, but the individual recipes within them are not), patent law is more amorphous, relying on broad benchmarks like the “nonobviousness,” novelty, and utility of the proposed invention. The only way to figure out which inventions can be patented and which ones can’t is through trial and error. McDonald's’ “toasting of a bread component?” No, thanks. “Edible cardboard?” Welcome to the club.
Which raises the question: Is something like the Vegas Strip Steak novel, useful, and nonobvious enough to join such esteemed company? To be clear, the team isn't claiming any particular part of the cow because patenting an animal is impossible (unless it's genetically engineered for science, but that's another issue). Patenting a specific food product based on technique can be tricky: In 2005 Smuckers lost the patent for its Uncrustables line of crustless PB&Js after USPTO examiners pointed out that the company’s method of crimping the sandwich’s edges ripped off hundreds of years of Italian ravioli-making.
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