 |
||
 |
More
evidence of the Surrealist obsession with mannequins. Much of Hans
Bellmer's work revolved around this multilimbed, jointed doll, which
could be reassembled into different creepy combinations. He painted,
photographed, and drew her, too. This piece was shown at the Tate
Modern, surrounded by work “she” inspired. Hans Bellmer, The Doll, 1932-45. Installation view from the Tate Modern. Centre Georges Pompidou, Paris © DACS, London/ADAGP, Paris. |
|
|
|
||
 |
||
