How George Lois, ’60s Ad Man and Art Director, May Be the Real-Life Don Draper
Forget D.B. Cooper—for a real-life equivalent of Mad Men’s Don Draper, you’d be hard-pressed to find someone more fitting than legendary art director George Lois. In the ’60s, Lois oversaw dozens of landmark ad campaigns and magazine covers, and the above Vice profile does a stellar job of explicating his legacy.
Kanye West Is at His Best in This European TV Performance of “Only One”
Given the brash pyrotechnics of his “All Day” debut, it’s clear Kanye West’s new album won’t entirely consist of sensitive, confessional ballads like “Only One.” But if, like me, you find the rapper’s vulnerable-songwriter mode particularly intriguing, West’s recent performance on Norwegian-Swedish talk show Skavlan is a must-watch.
Who Was the Better Tocqueville? Karl Ove Knausgaard, Bernard-Henri Lévy, or Stephen Fry?
This article originally appeared in Vulture.
When the newly revamped New York Times Magazine asked the famously prolix (but personally reticent) Karl Ove Knausgaard, the author of a 3,500-page confessional six-book series called My Struggle, to undertake a road trip through Canada and the U.S., it enlisted him in a noble tradition: the foreign writer grappling with America via that most American of journeys, the road trip. How does his long and divisive report, part one of which will appear in this Sunday’s print issue, compare to those of his predecessors? Below, we compare and contrast.
How Do You Play The Originalist?
Last month, veteran Washington actor Edward Gero sat in on the Supreme Court’s oral arguments, a notepad on his lap. He watched the nine Justices enter the courtroom from behind velvet drapes shortly after 10 a.m. But Gero had his eyes trained on one person in particular: Antonin Scalia. He examined the justice’s expansive gestures and tics and took diligent notes: “Fidgety, heavy brows, blowing through his lips, finger in his mouth, awaits—then pounces from the chair, swings around—launches his questions, his upper body very active, right hand always moving.” Watching Scalia’s every move, Gero was slowly learning how to be him.
Remembering Leonard Nimoy’s Mr. Spock, One of History’s Greatest TV Characters
Leonard Nimoy, who died today at 83, had a long, prodigious career as an actor, writer, and director. Despite all his other achievements, he will always be known as Mr. Spock, the half-human, half-Vulcan first officer of Star Trek’s Enterprise, and that’s what I want to focus on here, because the pointy-eared Starfleet officer was one of the great characters in TV history. He was killed off and then resuscitated, not just officially (in the second and third Star Trek films, then in J.J. Abrams reboots, where he appears as young Spock’s grizzled future self) but symbolically, in the form of new Trek characters who at times seemed like prismatic shards of Spock, and who all grappled with feelings of otherness (Geordi La Forge, Worf, Data, Seven of Nine).
From fairly early in the show’s run, Nimoy seemed to realize the symbolic power invested in Spock, and perhaps to mistrust or fear it. “The network, and a good many fans, would have been happy if the show had been called ‘The Mr. Spock Hour,’” confessed Star Trek writer David Gerrold in his book The Trouble With Tribbles. As a professional who prided himself on his versatility, he resisted being identified too strongly with a single role—it’s the main reason he went on to play Paris, the “master of disguise,” on Mission: Impossible from 1969–71—and it was a long time before he entirely made peace with the legacy he’d done so much to shape.
House of Cards Showrunner Beau Willimon on Morality, Netflix Leaks, and Frank Underwood’s Presidency
Beau Willimon agreed to speak with Vulture about the third season of House of Cards with just one tiny catch: He was not going to disclose anything about the third season of House of Cards. Willimon artfully avoided giving a direct answer to almost every question he was asked as he spoke by phone while driving through Kentucky, apparently home to our nation’s spottiest cell service. (An accident, or a convenient ploy to drop the call whenever a question forced a too-revealing answer? We may never know.) Frank Underwood would be proud. Still, Willimon had plenty to say about everything but the plot of the new season. Topics discussed include: the nature of power, the Netflix leak, the singularity, what conversations Willimon has with Kevin Spacey and Robin Wright during rehearsal, and whether or not there is such a thing as objective morality.
Watch Stephen Colbert Play “Stephen Colbert” One Last Time on Season 3 of House of Cards
This post contains spoilers for the first episode of House of Cards Season 3.
When Stephen Colbert rode off into the night last December with Santa Claus, Abraham Lincoln, and Alex Trebek, he got some of his most famous friends to promise that they would “meet again some sunny day.” Indeed, about 21 minutes into your House of Cards Season 3 binge, instead of a deadly surprise, like last season, viewers will find a surprise bit of nostalgia: when Stephen Colbert, in character, interviews now-President Francis Underwood (Kevin Spacey), who has been in office for six months.
In the too-brief segment, Colbert dings Underwood over the name of his new agenda: America Works, which he shortens to AmWorks, noting the similarity in sound to the alleged pyramid scheme Amway. Colbert does not relent, mocking Underwood for his plans to eliminate unemployment: “Eradicate unemployment the same way you’ve eradicated your approval polls?”
Unfortunately, at this point, Doug Stamper (Michael Kelly), turns off the TV and things go back to looking bleak.
The Dress and the Llamas Are Exactly What the Media Should Be Covering
So two llamas and an ugly dress walk into the Internet. The Internet says “Hey, cool, two llamas and an ugly dress!” (The llamas and the dress say nothing, lacking the capacity for speech.) Then, the Internet gets bored with the llamas and the dress, and wonders why it found them cool in the first place. Eventually, the Internet blames the media.
You’ve probably heard that one before. Whenever a meme catches the attention of the mainstream media, the story always ends with lots of people interpreting the media’s coverage of that meme as somehow indicative of declining journalistic standards and an impending idiocracy. Thursday, in which two runaway llamas and a color-shifting dress captivated online newsrooms worldwide, was no exception. Today, my Facebook and Twitter feeds are filled with people bemoaning coverage of “The Dress” as an unadulterated media fail.
Listen to Leonard Nimoy Explain the Jewish Origins of His Famous Vulcan Hand Greeting
Leonard Nimoy, who passed away Friday, sat down with the Wexler Oral History Project last year, his impressive Yiddish skills on full display. In the video below, Nimoy describes the origin of his famous Star Trek hand greeting: The Jewish priestly blessing, or duchening. He'd already revealed this in his 1975 autobiography I Am Not Spock, but the video is still delightful.
Just How Viral Is “The Dress”?
By some mixture of luck, psychological insight, and viral witchcraft, the dress above became #TheDress Thursday night. According to a BuzzFeed rep, it “drew more visitors to our site at one time than ever before,” blazing new traffic records by the hour. By 9 p.m., it was the top trending topic on Twitter. At one point in the evening the number of simultaneous readers on BuzzFeed’s main article about the Dress had reached 670,000.
Just how viral was this dress? For comparison, we rounded up a few of BuzzFeed’s most popular hits from the past few years and put them beside this new prince of the web, so you could see just how well The Dress stacks up in the annals of virality.