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Friday Night Lights, Season 3

Week 4: What's the Deal With Saracen's Mom?

Posted Monday, Feb. 9, 2009, at 6:52 AM ET

I'm on Mars with David: I think the superintendent was dead set against Tami, too. The battle over the JumboTron is a fight she shouldn't have picked—not as a new principal who clearly has no political capital, because it's a fight she couldn't win. There's a practical reason for this that in my mind blurs her moral claim here: The donors gave earmarked funds, whatever Tami's technical authority to ignore their wishes. And there's also, of course, the larger metaphorical meaning of the JumboTron: Dillon is about football first. In Friday Night Lights the book, this primacy makes itself similarly felt. The real school that's a model for Dillon High spends more on medical supplies for football players than on teaching supplies for English teachers. And the head of the English department makes two-thirds the salary of the football coach, who also gets the free use of a new car.

Hopeless as Tami's plea is, Katie coaxes her to try by instructing that "nobody likes an angry woman." It's Tami's anger that's making her fumble and bumble. That's hard for us to watch, I think, because it brings up a lot of baggage about women in authority being seen as bitches. Tami remembers Katie's words and tells the superintendent, "I'm not angry," but her voice is full of righteous indignation, so he can't hear her.

Before my inner feminist erupted, however, I reminded myself that Tami was to blame, too, for playing the politics wrong. She blew her honeymoon on a lost cause. (Here's hoping Obama doesn't make the same rookie mistake.) That's why it rings false when Eric tells her that she was right, unconvincingly contradicting himself from a couple of episodes ago.

I don't share your despair, though, because Tami is already bouncing back. She used the JumboTron announcement to do what she should have done from the get go: co-opt Buddy Garrity into raising the kind of money she needs by making him host a silent auction for the school at his car dealership. You can't beat Dillon's football fat cats if you're Tami. You have to join them.

Meanwhile, even as Eric is being valorized in this episode—that lingering shot of the "Coach Eric Taylor" sign on his door was for anyone who missed the theme—he doesn't entirely live up to his billing. Yes, he gets big points for getting Smash to college. (Since I am still caught up in the glory of last Sunday's Super Bowl—how about that game!—I'm feeling kindlier toward the idea of Smash playing college ball, though I reserve the right to come to my senses and start worrying about his brain getting battered.) But what is Eric thinking by dividing quarterback duties between Matt and J.D., and running a different offense for each? It's baby-splitting, and it bodes badly. I'm betting against the Panthers in the next game. Related point of ongoing frustration: The writers seem to have settled back into portraying J.D. as robotic and empty-headed, the boy with Xbox between his ears.

Matt, by too-obvious contrast, is ever the thoughtful, winsome struggler. You're right, Hanna, that his mother is a disappointment. I was happy to meet Shelby because she's played by one of my favorite actresses from Deadwood. But I don't believe in her character, either. Where's the sordid underbelly—the lack of caring, or mental illness, or selfishness that would help us understand why she left her child? Knowing that Matt's dad is a jerk only makes her act of abandonment less explicable. And so I'm waiting for the bitter reality check: I was ready for Shelby to start to disappoint by not showing up as promised to take Matt's grandmother to the doctor. But there she was, right on time. I don't buy the pat self-redemption, and I hope the show goes deeper and darker.

Week 4: What's the Deal With Saracen's Mom?

Posted Monday, Feb. 9, 2009, at 6:52 AM ET
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Emily Bazelon is a Slate senior editor. Meghan O'Rourke is Slate's culture critic and the author of Halflife, a collection of poetry. Hanna Rosin is the author of God's Harvard: A Christian College on a Mission To Save the Nation and a contributing editor at the Atlantic. She can be reached at . Emily, Hanna, and Meghan are helping Slate launch a new women's Web site this spring, Double X. David Plotz is Slate's editor.
Stills from Friday Night Lights © 2008 NBC Universal Inc. All rights reserved.
Stills in:
Entry 10 and Entry 15 by Bill Records/NBC Photo.
Entry 18 by Mitchell Haaseth/NBC Photo.
Entries 22 and 23: Stills of Jesse Plemons as Landry Clarke and Stephanie Hunt as Devin Corrigan by Bill Records/NBC Photo.
Entry 31: Still of Minka Kelly as Lyla Garrity by Mitchell Haaseth.
Entry 32: Still of Taylor Kitsch as Tim Riggins and Scott Porter as Jason Street by Virginia Sherwood/NBC Photo.
Entry 33: Still of Adrianne Palicki as Tyra Collette and Zach Roerig as Cash by Bill Records/NBC Photo.
Entry 36: Derek Phillips as Billy Riggins by Bill Records/NBC Photo.
Entry 37: Kim Dickens as Shelby Saracen by Bill Records/NBC Photo.
Entry 38: Adrianne Palicki as Tyra Collette and Zach Roerig as Cash by Bill Records/NBC Photo. Entry 43: Still of Brad Leland as Buddy Garrity and Kyle Chandler as Eric Taylor by Bill Records/NBC Photo.
Entry 44: Still of D.W. Moffett as Joe McCoy Sr. by Bill Records/NBC Photo.
Entry 45: Still of Jesse Plemons and Tyra Collette by
Bill Records/NBC Photo.
Entry 46: Still of Taylor Kitsch as Tim Riggins and Adrianne Palicki as Tyra Collette by Bill Records/NBC Photo.
Entry 48: Still by Bill Records/NBC Photo.
Entry 49: Still of Connie Britton as Tami Taylor by Bill Records/NBC Photo.
Entry 50: Still of Kyle Chandler as Eric Taylor and Connie Britton as Tami Taylor by Bill Records/NBC Photo.
Entry 52: Still from
Friday Night Lights by Bill Records/NBC Photo.
Entry 55: Still from
Friday Night Lights by Bill Records/NBC Photo.
On the Slate home page: Zach Gilford as Matt Saracen by Michael Muller/NBC Photo.
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