You’re right, Meghan, to call FNL on its spreading dollop of sentimentality. Doesn’t this often happen with TV shows in later seasons? I’m thinking of The Wire (at least Season 5), and probably The Sopranos, too. You can see why the writers would be pulled in this direction. The friction of the initial plot line has been played out. As the writers—and the audience—get to know the characters better, do we inevitably want them to become better people? Even if that comes at the price of narrative tension and edge?
The best way out of the mush pit, I suppose, is to introduce new characters, who in turn introduce new friction. That’s what J.D. is all about this season. If you’re right that there’s a puppy dog lurking behind his wide eyes, then the show is in trouble. On the other hand, if he’s merely a two-dimensional touchdown-throwing automaton, that’s going to be awfully pat—the Matt vs. J.D. contest will be good, humble working-class vs. evil, proud, and rich. I hope we get something more interesting than that.
In the meantime, a complaint from me that I see a reader in “the Fray” shares: Why does this show keep flunking TV Drama 101 by tossing characters without explanation? First Waverly, Smash’s bipolar girlfriend, disappears. Now Jason Street, whom we last saw begging an appealing waitress to have his baby after a one-night stand, is AWOL. What gives? Will Jason show up later this season, child in hand?
One more thing for this week: Another Frayster who says he (I think he) wrote for the show in the first season reports that Tami initially did have a girlfriend, played by Maggie Wheeler. But she got cut. More here. And more from us next week.
