TV Club

Week 1: Why Matt Saracen Got Surly

Hanna, Emily,

For me, the genius of Friday Night Lights is the way it captures the texture of everyday life by completely aestheticizing it. The handheld camera, the quick jump-cuts, the moody Explosions in the Sky soundtrack laid over tracking shots of the flat, arid West Texas landscape all add up to a feeling no other TV show gives me. And very few movies, for that matter. Then there’s the fact that FNL, more than any other show on network TV, tries hard to be about a real place and real people in America. This is no Hollywood stage set; it’s not a generic American city or suburb; the characters aren’t dealing with their problems against a backdrop of wealth, security, and Marc Jacobs ads. Most are struggling to get by, and at any moment the floor might drop out from under them. In this sense, the show is about a community, not about individuals. Football is an expression of that community.

That’s why, Emily, I don’t find surly Matt Saracen annoying; I find him heartbreaking. After all, his surliness stems from predicaments that he has no control over: a father in Iraq (how many TV shows bring that up?) and an ailing grandmother he doesn’t want to relegate to a nursing home. Like many Americans, he finds himself acting as a caretaker way too young. And because he’s not wealthy, when his personal life gets complicated—like when his romance with his grandmother’s sexy at-home nurse, Carlotta, goes belly up—he loses it. (OK, I thought that story line was kinda lame; but I was moved by the anger that followed.) But your point about the lack of female friendships on the show is a great one. It’s particularly true of Tami. (We do get to see a reasonable amount of Julie and Tyra together, I feel.) Like Julie, I had a principal for a mother, and one thing I always liked was watching all her friendships at the school develop and evolve.

It’s also true, Hanna, that the first episode of this season hammers homes its themes—Tami’s an overworked principal with a funding problem; Lyla and Riggins are gonna have trouble taking their romance public; and star freshman quarterback J.D. is a threat to good old Matt Saracen. But for now I didn’t mind, because there were plenty of moments of fine dialogue, which keep the show feeling alive. Like the scene in which  the amiable, manipulative Buddy hands Tami a check and says in his twangy drawl, “Ah’ve got two words for you: Jumbo … Tron!” (Tami, of course, has just been trying to meet a budget so tight that even chalk is at issue.) Later, at a party, Buddy greets Tami in front of some of the Dillon Panther boosters—who are oohing and aahing over an architectural rendering of the JumboTron—by exclaiming, “Tami Taylor is the brain child behind all this!” Ah, Buddy. You gotta love him. He’s almost a caricature—but not.

What keeps a lot of these characters from being caricatures, despite plenty of conventional TV plot points, is that ultimately the show portrays them in the round. Coach Taylor, who has a way with young men that can seem too good to be true, is also often angry and frustrated; caring and sensitive, Lyla is also sometimes an entitled priss; Tim is a fuckup with a heart of gold (at least, at times); and the raw and exposed Julie can be a whiny brat. In this sense, ultimately, I think the story FNL is trying to tell is fundamentally responsible, unlike so many stories on TV. When the characters make mistakes, they suffer real consequences. Think of Smash losing his football scholarship. I sometimes think the weakest feature of our entertainment culture is a kind of sentimentality about pain, if that makes sense—an avoidance of the messiness of life that manifests itself in tidy morals and overdramatized melodramas.

But what could make FNL better? I’m hoping for more football and atmosphere and fewer overwrought plotlines. Will the J.D./Matt Saracen face-off help this story, do you think? And, finally: Can the writers of the show figure out how to dramatize games without making them seem totally fake? It feels like so often in the last five minutes of an episode we cut to a game-that’s-in-its-final-minutes-and-oh-my-God-everyone-is-
biting-their-nails …

Meghan

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