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Welcome to WashingtonA primer for the Obama family.

(Continued from page 1)

Across the street from the White House, the agents explained.

"Where the fuck is the White House?" asked the dealer, who had grown up in southeast D.C.

To the city's striving political class, of course, the White House is and always will be the center of the universe. This state of mind is summed up, for me, by the view from the Presidential Suite of the Hay-Adams Hotel, where Bill Clinton spent his first night in Washington as president-elect. If you gaze out the south-facing window in the sitting room, across petite Lafayette Park, the White House is a thing of marzipan, improbably near and intimate in scale. To the initiated, Washington is a place where power seems just this seductively close at hand. I spent my wedding night in the same suite at the Hay-Adams and keep a rich memory of it. I like to imagine that late at night, after meeting with the outgoing president and fending off the press and dining with a few dozen ambitious strangers, Bill and Hillary turned out all the lights and stole over to the window in their bathrobes to assimilate at last the awesome turn in their lives.

The fables of power in Washington are, of course, 95 percent hooey; the truth is far more prosaic. Policy is made by a thousand tiny engines. A Cabinet secretary has social firepower, but it's the analysts who report to the deputy assistant secretaries who are really writing the rules, along with certain staff members on certain Senate and House subcommittees—the men and women who live for the day the Washington Post will describe them as "key staffers." And they aren't out at Hollywood's idea of a Glittering Washington Party; they're back at their scrungy government-issue desks, scarfing down a Domino's pizza over another late-night assignment. Under either party, late-night revelry is unknown to "official" Washington. It's been suggested that one reason sex scandals have such an explosive impact on Washington is that there is so little sex going on here in the first place.

A different kind of myth obscures Washington's charm for the casual visitor, who may find that the city's most renowned features are some of its most overrated. The cherry blossoms may be beautiful, yes, but the area around the Tidal Basin is always mobbed while they are in flower, and the glory lasts for only a few days before the scene disintegrates into what looks like bare trees banked in patches of wadded Kleenex. (Far better to spend an afternoon in the gardens of Georgetown's glorious Dumbarton Oaks.) The Museum of American History at the Smithsonian surprises you with the feel of a crowded attic. (Try, instead, a Sunday afternoon at the Phillips Collection.) Of the city's monuments and public spaces, the best are those that have been transformed by the visible use others have made of them. The Mall, which forms the great spine of L'Enfant's original plan for the city, is in fact a rather dull, naked rectangle—until you reach the Reflecting Pool and your mind's eye summons the sea of humanity that crowded around it to hear Martin Luther King describe his dream. This is why the Vietnam Veterans Memorial is the single mandatory stop on any visitor's trip. The sense of action there, of being embraced by a live event, is unexpectedly powerful—especially for the visitor who pays attention to the tributes left daily by mothers and buddies and sons and strangers at the foot of the black granite wall.

The membrane between society and Washington's power crowd is a porous one. Some new presidents, like George H.W. Bush, are already creatures of Washington when they move into the White House. Others, such as Ronald Reagan, must court the locals like the ambitious son of a banker wooing the daughter of old aristocracy. He badly wants her cachet to take the edge off his raw money; her secret is that she wants his money just as badly. Every rung of the social ladder has its counterpart on the power ladder: The president first, of course. Below him the White House chief of staff (who has only delegated power, to be sure, but remember, proximity is all) and the top three Cabinet members—the secretaries of State, Defense, and Treasury. A senior senator who chairs a powerful committee ranks near the top (though a more junior senator can transcend an unsexy committee assignment with charm), as does a justice of the Supreme Court.

Though a common complaint is over the city's transience—no one who figures in official Washington is from here, after all—the truth is, many newcomers stay forever, secretly at home in the city everyone loves to hate. As each administration departs, it leaves behind a layer of flotsam on the shore—lobbyists, lawyers, public relations people—all now too smitten or too connected ever to move away. The city happily absorbs its quadrennial infusions of new blood. But Washington always does more to change its newcomers than the newcomers do to change it.

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Marjorie Williams (1958-2005) was a Washington Post op-ed columnist and a contributing editor at Vanity Fair.
Excerpt from Reputation: Portraits in Power, PublicAffairs, © 2008 Timothy Noah.
COMMENTS

I'm a couple of years out of college and have visited and had many extended stays in the District over these last years. DC is a wonderful place to visit, but I feel like it has sucked the souls out of the friends that I have visited there. They all feel like this strange place is there home and could never dream of leaving. Maybe they are still in the honeymoon period, but the last line of the article really hit the nail on the head for me. The city has changed them. These people went to DC with hopes of changing the world, but the District had other plans. They've become part of the DC machine and shells of their former selves.

--SheriffOfficer TJ Hooker

(To reply, click here.)

Reasonable minds might differ as to whether "the theater is still second-rate at best" was an accurate assessment back in 1993. But there no one can seriously suggest that it's true today. Washington is now recognized locally, nationally, and internationally as "a theatre town." With more than 60 (yes, 60!) professional theatres mounting 8,000 performances of over 450 productions each year, the Washington area is the second most prolific generator of theatrical work in the nation -- second only to New York in the breadth and depth of its professional theatre offerings. And that work is regularly lauded, including by New York critics, as top quality. (Indeed, some would argue that Washington theatre is more adventurous, challenging, and enriching than much of what one can see these days in New York.)

Washington, D.C. in 2008 is a theatre destination site, drawing tourists from all over the country and beyond to see original and innovative work on our stages. In addition, while it was once difficult for a theatre artist to make a living in the Washington area, Washington now attracts theatre artists, nurtures them, and enables them to earn a reasonable income and actively participate in the economic life of the community.

The annual Helen Hayes Awards, one of the nation's most prestigious cultural awards, recognize excellence in Greater Washington professional theatre. Open virtually any theatre program around the country and you're likely to see Helen Hayes Awards recipients and nominees proudly include in their bios their stamp of approval from the Washington theatre community.

So, among the catalog of "common criticisms" cited in the article, let's finally put to rest the notion that Washington, D.C. is an amateur at theatre. Far from it. Our professional theatre is -- and rightly should be -- a source of great cultural pride. And if you still don't believe that, pick out a handful of theatres from the 60+ available and go see some plays!

--glenhoward

(To reply, click here.)

Much of the essay rings true to me, but I hope that the Obamas get a chance to explore some of the incredible culture experiences in Southeast DC. Rather than boil a whole quadrant down to drug dealers and poverty, perhaps they will get to know the entire city. Maybe Obama girls will enjoy go-go music, or mumbo sauce on their carryout chicken, or any number of fascinating tidbits of the African-American experience that is so far removed from the political machine for which DC is famous.

--aholoman

(To reply, click here.)

(11/08)

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