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Babies for SaleTeaching Brangelina and other celebrities how to be better economists.


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The celebrity baby picture market is inflating nearly as fast as the Zimbabwean dollar. According to impossible-to-confirm reports, Matthew McConaughey earned $3 million for his newborn. J. Lo reportedly raked in $6 million. Brad Pitt and Angelina Jolie have reportedly sold pictures of their newborn twins for $16 million. (Obviously, Brangelina will donate the proceeds to charity.) They're not alone; Jamie Lynn Spears, Christina Aguilera, Nicole Richie, Jessica Alba, and that pregnant man have all reaped the monetary benefits of the baby bump.

But inviting a glossy-magazine photographer into your home is like inviting a vampire through the doorway. Once they're in, they're never going to stop trying to come after the kid. (This doesn't take into account the prying eyes of telephoto lenses, as Brad Pitt can attest.) Considering all the bitching and moaning celebrities spew about the paparazzi, you'd think they would want to keep the photogs away, not tell the world how much pictures of their new scions are worth. This should come as no surprise, but celebrities make crappy economists.



What follows is a field guide for famous mothers to consult once they've brought a new life into the world. We're offering suggestions based on three personality types, and advice is doled out for three key variables. "Distribution" details how many magazines should get access to the first photos. "Time" prescribes a time line between birth and first glimpse. "Money" recommends an asking price for the celebrity. Celebs, welcome to Baby Econ 101.

The Narcissist
Objective: Attention, fame, money.

Distribution: exclusive shots given to only one magazine. After the initial photograph is released, the key is to tease the photogs. Appear out and about shopping for baby materials but without your bundle of joy. Then, when you do take the baby out for a stroll, find a way to obscure his or her face. (Michael Jackson can provide some advice.) This limits the potential supply of photographs, which will only make for more likely placement whenever one does surface. Most likely, you'll accompany the newborn in the photo spread.

Time: The initial photo shouldn't be released immediately after birth, at risk of violating all-important postpartum-dignity standards. Take some time with your baby and imagine how many dollar signs could fit inside those wonderfully innocent pupils. Then, after a week or two, invite photographers into your home. Note: Do not wait longer than a month to release the photo. The public's interest in your offspring will reach a point of diminishing returns at about the four-week mark. Only in special cases—Katie Holmes and Tom Cruise's maybe-alien baby chief among them—does a long silence help drive demand.

Money: The exclusive shot should be sold to the highest bidder. By selling the photographs for the most money, it establishes a market price for pictures of you and the baby, which will incentivize the paparazzi to hunt for more photographs in the future. The higher the price, the more desirable you, yourself, will appear to be. Monetize those assets!

Subcategory: The Narcissist With a Heart of Gold
The only difference between a narcissist and a NWHOG is what they do with the money. It gets sent to charity rather than the kids' college funds, proving that even celebrities care about those less fortunate. If only we could all be more like Angelina Jolie and Brad Pitt.

The Prudish Self-Promoter
Objective: PSPs are after personal fame but have too much dignity to farm out their child's image for their own good. This leaves you stuck in a tug of fame: Find a way to bathe in rays of flashbulbs without getting your kid stuck in the crossfire.

Distribution: Because you're in a tricky spot, you have to be innovative. For inspiration, we suggest you turn to the princess of self-promotion, Ms. Tori Spelling. Spelling wisely opened up her womb during her son's in-utero stage, rather than waiting for his infancy. Spelling's show on Oxygen pulled in an average of nearly 1 million viewers per show, resuscitating both the moribund channel and the moribund starlet's career. This was the equivalent to previewing a product before it goes on the market—a more intimate knowledge of the item's masterminds leads to buzz and hype.

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Chadwick Matlin is the staff reporter for The Big Money, Slate's business site, which will launch later this year.
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