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The Cult of the Pink TowerMontessori turns 100—what the hell is it?

By Emily Bazelon
Posted Saturday, May 19, 2007, at 7:29 AM ET

(Continued from page 1)

Illustration by Rob Donnelly. Click image to expand.Simon's friend Caleb set to work on a "long sevens chain," which is a chain built from increments of beads separated into groups of seven. Caleb marked his progress with little number tabs. He'd gotten up to 294 and figured out that 301 came next. A girl named Sailor took out the pink tower, a collection of different sized pink cubes, and stacked it. Nicholas wrote "spyder" and "fly" and "prayin mant" with the movable alphabet. Each letter is a grippable 3-inch rubber cutout, with blue for consonants and red for vowels. And Simon, my irrepressible, short-fused man of mischief, calmly rolled out a mat for himself on the floor, took out the "bank," and proceeded to match the number 3,987, which he'd constructed from short boards painted with numbers, to the correct combination of 1,000-unit cubes, 100- and 10-unit rectangles, and single-unit beads. (Click here to see photos of the materials.)

All of this activity proves my point about the Montessori method: It is structured, sometimes rigidly so. It's about the appeal of precision: Sailor's pink cubes fit together only in one way, so she instinctively corrected herself when she mis-stacked them. Montessori isn't magic. It's fine-tuned and detail-driven and tactile, like a workshop for two dozen good-humored but serious young elves.

Last fall, the prestigious Science gave its pages to a well-designed study that found some measurable advantages for the Montessori method. The researchers compared 59 Montessori students with 53 kids who'd tried to get in to a public Montessori school in Wisconsin and lost out in a lottery (a strategy that addressed the methodological concern that families who choose Montessori differ from those who don't). By the end of kindergarten, the Montessori students outscored the others on standardized tests of reading and math, treated each other better on the playground, and "showed more concern for fairness and justice." By the end of elementary school, the test-score gap closed. But the Montessori kids "wrote more creative essays with more complex sentence structures," responded better to social dilemmas, and were more likely to say they felt a sense of community at school.

The Wisconsin school in the study was urban and mostly minority. That's a contrast to the private and upscale cast of Montessori in the United States. But that norm is starting to change, with between 250 and 300 public Montessori schools now open across the country. Maria Montessori started her revolution among Italy's pauper children, so it makes sense that her method is effective without the head start of affluence. The biggest problem for American Montessori education at the moment may be about identification. Any school can call itself a Montessori school, which doesn't bode well for quality control. The real test of a school's worth is probably teacher training. Through various colleges and universities, the Association Montessori Internationale offers full-time, nine-month courses for college graduates that are the hallmark of Montessori-ness. Simon's teacher says the one she went to was much harder than her college coursework.

The Montessori culture smacks faintly of indoctrination. But maybe it's that intensity, as well as Maria Montessori's basic wisdom that kids can teach themselves if they're operating within a sturdy framework, which accounts for the continuing appeal of her schools. Other alternative education movements imported from Europe are similarly self-assured. The Waldorf method, founded by Austrian scientist Rudolf Steiner in 1919, stresses uninterrupted imaginary play (take that, Maria), bans TV, and keeps students with the same teacher for seven years. The Reggio Emilia schools, a product of Italy post-World War II, stress long-term projects and an environment filled with beauty. The ardent adherents of each method keep it alive by keeping the faith. So, thanks, from the rest of us hangers-on. And see you in high school.

A version of this article also appears in the Outlook section of the Sunday Washington Post.

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Emily Bazelon is a Slate senior editor.
Illustration by Rob Donnelly.
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