
Timothy Noah chatted with readers about The Sopranos on June 7. Read the transcript here.
First, a hearty benvenuto to Brian. Now that you've established you aren't the troubled visionary behind Pet Sounds, I can let go of my resentment against your charging $75 for the 40th anniversary limited edition action figure. (And that's the unsigned edition!) I am mightily impressed that you've eaten at Pizzaland, but I wonder exactly what you mean when you say you've been to the Bing. It's my understanding that the Bada Bing! strip club is a fictional locale invented by David Chase. Please explain.
I note with mild embarrassment that I'm the only guy in this dialogue who has never reported on the M----. (After seeing what Chris-tuh-fuh did to his writer friend J.T. in Episode 82, there's no way I'm going to spell out that word.) I bet you guys have both eaten at Rao's on 114th Street, too. Me, I buy the sauce at Whole Foods. I do know somebody named Patsy, but it's short for Patricia, not Pasquale. She's my sister, not a mobster. She never complains about anything I write about her, as Jeff's Patsy Conte does, and her sons are too well brought up to pour sulfuric acid on the feet of deadbeats, as the son of The Sopranos' Patsy Parisi does. Not that I know about, anyway.
Chase's strategy for this final season should be clear by now. He is fixing things so that Tony's downfall could come from anybody, anywhere, at any time. Potential assassins, prosecution witnesses, and miscellaneous catalysts in his ruin now include Phil Leotardo, Paulie Walnuts, Hesh Rabkin, Tony's sister Janice (a favorite theory of Jeff's), Tony's pathetic and resentful son, A.J. (a favorite theory of mine), and now Chris-tuh-fuh. (Brian, you mentioned how Tony insulted Christopher's manhood by criticizing his grilling technique. You might also have mentioned the jealous look Christopher shot in the direction of Tony and Bobby Bacala as the two huddled in a corner of his yard. There was a time Tony's handpicked successor was sure to be Christopher, but now it's looking more like Tony's brother-in-law Bobby will get the job, even though he lacks much experience at icing people.) These days it seems the only friend Tony can really count on is Silvio Dante, whom we haven't seen much of lately. Will Silvio start to turn against Tony in next week's episode? Will he bring in Bruce Springsteen and Clarence Clemons to help finish Tony off? (I still don't know who Southside Johnny played in that earlier episode, but he's lurking out there somewhere, and maybe he'll call in the Asbury Jukes.)
Then there are the Arabs. One theory I'm starting to toy with is that the Arabs really are undercover cops, and that agents Harris and Goddard are asking Christopher and Tony to pass information about them—lest Meadow or Carmela perish under the Hudson as terrorists blow up the Lincoln Tunnel—purely to divert any suspicion about their sting. Didn't Christopher sell the Arabs guns once already? Maybe the game isn't to prosecute Tony as the mobster he is but rather to frame him as a terrorist. That would be a way to end the show realistically (mob bosses never last long) without the Hays Office-style moralizing that Chase has said he deplores. I'm halfway serious about this. Brian, you have inside knowledge. Am I warm?
But now I'm completely contradicting my stern lecture from last week about the evils of trying to guess how The Sopranos will end.
Brian, you mentioned that Carmela was reading Fred Barnes. Specifically, it was a paperback of Rebel-in-Chief: Inside the Bold and Controversial Presidency of George W. Bush. I haven't read the book, but apparently it's a paean to Bush's leadership skills that Barnes had the misfortune to publish in January 2006, just as the Iraq war was sending Bush's approval ratings into the Dumpster. Its inclusion in the episode strikes me as a fairly broad joke; though Carm probably votes Republican, I seriously doubt she'd be interested enough in politics to read Barnes' book, or any nonfiction book about public affairs. What's the joke? That Carmela could use a few tips, because the Tony Soprano administration is in an advance state of collapse, just like you-know-who's.
This leads me to propose that we play a little game: Bush-Soprano Mix 'n' Match! Name a past or present member of the Bush administration or family and find the corresponding figure from The Sopranos' cast of characters. None of what follows, of course, is meant to suggest that anyone connected with the Bush administration or family engages in criminal activities, or associates with anyone who does, except for Ken Lay. If you need to refresh your memory on Sopranos characters, click here. If you need to refresh your memory on Bush White House players, click here. (Both lists, sadly, are a little out of date, but they're better than nothing.)
I think we can all agree that Barbara Bush is Livia Soprano. ("People think she's a sweet, grandmotherly Aunt Bea type," Laura Bush quipped at the 2005 White House Correspondents' Dinner. "She's actually more like, mmm, Don Corleone." Reader, if you think she was kidding, read my late wife Marjorie Williams' chapter about the former first lady in The Woman at the Washington Zoo.) The president is, of course, Tony Soprano, but I don't think it would be accurate or fair to say that Laura is Carmela. Condoleezza Rice is Carmela. Just as Carmela decided that a spec house was worth reuniting with her unfaithful mobster husband, Condi decided that the State Department was worth never saying "you're wrong" to her tragically misguided work husband and commander in chief. Or maybe Condi is Dr. Melfi. Like Melfi, Rice is both confidante and enabler. Brent Scowcroft is Uncle Junior, minus the dementia. He may not be a blood relative, but he's the president's father's best friend (not to mention former national security adviser), he's short on hair, and he thinks the don is way too big for his britches.
Vice President Dick Cheney is Ralphie Cifaretto, i.e., the administration's least-controllable hothead. Doug Feith, former undersecretary of defense for policy, is Richie Aprile, i.e., its second-least-controllable hothead.
George Tenet, memoirist and former Central Intelligence Agency chief, is Paulie Walnuts, a company man with a chip on his shoulder. Like Paulie, Tenet is wary of or outright hostile to rivals for the boss's affection, and like Paulie, he doesn't dare challenge the boss head-on. He's a little too excitable, slow to accept responsibility, and nowhere near slick enough to hide his many liabilities.
John Dilulio, director of the Office of Faith-Based and Community Initiatives during Bush's first term, is "Big Pussy" Bonpensiero. He ratted out the White House for not taking policy seriously and got whacked (which in this context translates to "was silenced quickly").
Alberto Gonzales? Just to make things difficult, the president nicknamed the attorney general "Fredo," an unconscious allusion to the weakest and least-intelligent Corleone family member in The Godfather. (In the Bush administration, the price of loyalty is humiliation.) Gonzales is perhaps Bobby Bacala—unstintingly loyal and none too bright. Though catch me tomorrow and I may say that Andrew Card, the president's former chief of staff, is Bobby.
OK, guys, help me out. I'd love to find a Johnny Sack somewhere in the Bush administration, but it isn't coming to me. No one has Johnny's moral grandeur. Too bad Bob Dole is retired.
Inside the Beltway-ly,
Tim
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Remarks from the Fray Editor:
As a basic cable slum-dweller, the Fray Editor has been following the discussion of The Sopranos with admiration and envy. The passion, erudition, and insight of the show's fans—Slate's commentators and Fraysters alike—proves the case that this series is not to be missed. Below, Fray poster lucabrasi considers how the 6.5 season story arc has led the show inevitably to the present moment.
May this weekend's finale exceed your wildest expectations. My prediction? Paulie Walnuts in the Bing with a shoe buffer.—G.A.
Remarks from the Fray:
I must salute the excellent close of the mob wars arc that started way back in Season One.
Looking back from today, with Tony's Jersey crime family indeed looking like a "glorified crew" in the eyes of New York, one can see it, almost clearly:
Season One: Tony's issues were of ascension in that smallish Jersey family. Jackie Sr. was dying; Uncle Junior was the designated "front don," and yet bitter enough about Tony's power to use Livia's ambiguous directives to hit Tony. Didn't work. Junior was exiled and took on Federal heat; Tony had the others killed.
Season Two: Richie Aprile gets out of prison. A theme begins: guys out of prison resent Tony, who never served. But Richie, too, is "local Jersey trouble." His escalating conflict with Tony is going to be dealt with rather easily -- Tony wants Richie hit, but Janice delivers a dose of even MORE "local" justice.
Meanwhile, I think NYC underboss Johnny Sack turns up living in Jersey, but promising Tony "I don't want to wet my beak."
The main NYC Don is Carmine Sr, an old school guy. Tony can deal with Carmine Sr, but Sack starts getting that lean and hungry look...
Seasons Three and Four: Other issues are on the table (Jackie Jr., Tony and Carm's marriage), but Tony's adversaries are manageable: made guy Ralphie and the ever-more-ambitious and angry Sack. Ralphie is eliminated, quietly (if NYC ever finds out...). Sack wants Tony to hit Old Man Carmine; Tony pulls out at the last moment. Sack looks to be vengeful.
Season Five: The big trouble all starts here, with the release of the "Class of '84". It's like four Richie Apriles. Tony has a lotta plates to spin: an old-timer named Feech who wants it all, locally, Tony's cousin Tony B, the "Rockford Guy" (Joe Santos) who Tony B idolizes as a father, and a real hothead named Phil Leotardo.
Carmine Sr. croaks. Phil joins with Sack against Little Carmine, Tony B joins with the Rockford Guy and Rusty in backing Little Carmine's play. Tony elects to back off and see how Jersey can benefit from the ensuing bloodshed, of which there is a lot.
During all this, two little matters occur: Seeking owed cash, Tony subjects Phil Leotardo to a body-breaking car crash and beats up Phil at the accident site as a "throw-in." Tony B kills Phil's brother Billy Leotardo.
In retrospect, these last two actions were perhaps...unfortunate.
Sack and Phil kill more guys than Little Carmine's team. Little caves ("It's a stagmire.") Sack ascends to Donhood. Tony can deal with Sack (having killed Tony B as a burnt offering), and Sack will stave off the still vengeful Phil Leotardo.
But right at the end of Season Five, the Feds nab Sack. Go directly to jail.
Season 6A: Sack's in prison, but the putative boss, with Phil fronting him on the outside. Tony's shot for a few episodes. The "gay Vito issue" gives Phil new reason for putting the pressure on Tony's Jersey boys. With Sack losing power by the day, Phil contemplates his rages against Tony: getting beaten up by Tony, paying money to Tony, brother killed by the cousin of Tony, gay Vito protected by Tony. Phil has a heart attack to match Tony's gutshot. Things seem peaceful between these two wounded warriors. But this guy Butch turns up, taunting Tony.
Season 6B. Tony's luck with New York runs out, via a series of crap outs: Sack dies of cancer; Doc kills Gerry; Phil kills Doc.. Phil is "the big boss man," finally, and the worst possible New York Don Tony Soprano could face. Filled with jailhouse vengeance and itching to consolidate power, Phil pushes Tony too far (with the sexual insult of Coco towards Meadow, ultimately). Tony retaliates (curbing); Phil says "there's nothing left to talk about," and here we are.
Now, I' m not sure how much of that was plotted early on by Chase and Company, but looking back on it, you see how this final, fatal gang war was literally years in the making. Tony Soprano fended off Jersey threats (Junior, Richie), kept the peace with Carmine Sr, dangerously dueled with Sack (the longest of Tony's strategic encounters), sat out the gang war to replace Carmine Sr...and ended up on the wrong end of Phil's bloody ascension to the throne of the New York Family.
Where things are now is where they HAVE to be. Inevitability.
--lucabrasi
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(6/9)