
The Pulp CanonLurid new covers for The Iliad, Little Women, and other classics.
Updated Thursday, May 25, 2006, at 11:15 AM ETClick here to read more from Slate's "Pulp Fiction" week.
Pulp fiction is perhaps the only genre as beloved for its cover art as for its prose. And rightly so: Classic pulp covers are glorious and garish, rich with saturated color and sexual innuendo. Rare is the cover girl who hasn't undone at least a few of her buttons. And so the images have endured, both in the popular imagination and in the countless online galleries that collect some of the greats. (There's even a site dedicated to the covers of "poulpe pulps," which feature women and octopuses in compromising positions.)
In the 1950s, some publishing houses opted to release literary fiction with pulp covers. A striking edition of The Sheltering Sky, for example, promised "a strange tale in the exotic desert"—a tagline that is, when you think about it, both pulpy and apt. Taking such efforts as our inspiration, we asked a handful of designers to create lurid new book jackets for classics from The Iliad to Animal Farm. Click here to see the results.
Did the NYT Just Call Joe Biden the Second Most Powerful Vice President Ever?
Meet the TV Genius Behind Jon & Kate, Table for 12, and the Duggars
Does the Health Reform Bill Really Restrict the Rights of Gun Owners?
Don't Fall for Best Buy's Scam To "Optimize" Your New Macintosh
Would Sen. Obama Approve of President Obama's Afghanistan Plan?
How Roald Dahl's Stories for Children Eclipsed His Fiction for Adults











