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the breakfast table: An e-mail conversation about the news of the day.

John Lahr and August Wilson

from: August Wilson

Theater: The Last Haven Safe From Consumerism

Posted Monday, Sept. 10, 2001, at 6:25 PM ET

Dear John,

As you probably know, Pittsburgh had its own version of Don King in Gus Greenlee, who ran the numbers in Pittsburgh, owned the Pittsburgh Crawfords of the old Negro Baseball League as well as the venerable Crawford Grill--one of the preeminent jazz clubs in the country--and who was otherwise a fine upstanding leader of the community despite the illegality of his business enterprise. I suspect such civic responsibility is repeated in black communities all over the country, and it may have something to do with their outsider status. I suspect the black corporate executive entrenched in mainstream America does not feel or exhibit any such leadership or responsibility.



In dialogue I eventually cut from Two Trains Running, the off-stage character Begaboo--a hustler and gangster, the size of whose funeral rivaled that of Prophet Samuel--was a sterling example of social responsibility, providing free turkeys for the community at Thanksgiving and parties to keep kids off the streets on Halloween.

For years I have said that the best writing is done in the sports pages. Phil Musik, who for a time worked in Pittsburgh, is my favorite. His use of metaphor, for example equating a Steeler football game with the military exploits of Genghis Khan, is near legendary and is as fine a writing as you will find anywhere.

I see the future! In the revival of Ma Rainey's Black Bottom, Ma can insist on not singing until she had her Pepsi instead of her Coca-Cola, depending on who was willing to pay the most. The musicians can play the brand-name instruments of their sponsors, the record label can be Mercury, Decca, Oke'h, etc. It could even be called Bessie Smith's Black Bottom if Columbia Records has enough money. And how did I miss the refrigerators in King Hedley II? They don't have to be GE refrigerators ("The best refrigerator on the market," as one character says). They could be Kenmore, Coldspot, Whirlpool. The guns don't have to be Berettas and Glocks and Smith & Wessons, they could be, say, Colt .45s!

These things you mentioned are, of course, very dangerous precedents. Not unlike naming theaters after corporations. We have, as you must know, a gorgeous new baseball park here in Seattle named after an insurance company. I don't know why we have to be assaulted by signs ringing the outfield, the dugouts, etc., that say Starbucks or Seattle's Best or Home Depot. I don't know where it ends. The television networks are already planning to sell their logo space, which they superimpose over the picture, to commercial sponsors. Theater, for the time being, is one place where human life isn't reduced to the common denominator of being a consumer. I suspect for all the Fay Weldons that the true artist is not for sale. I don't think we are going to end up with the Picassos of the future painting Absolute Vodka bottles. There will always be artistic expressions of ideas that are above reproach.

About Aunt Ester: As it is now I have her and Citizen Barlow sitting in her living room taking a trip on a paper boat she has made out of her bill of sale as a slave. They are on a slave ship and are going to visit the City of Bones, "a half-mile by a half-mile" in the middle of the Atlantic Ocean (the largest unmarked graveyard in the world). The boat is rocking wildly, and a storm is approaching. Will Citizen Barlow survive the voyage? What will he discover in the City of Bones? I don't know, but it promises to be an altogether exciting and perilous adventure to find out.

Finally, I leave you with this. Does the rise in the cost of malpractice as reported by the New York Times today mean that doctors are less skillful today than they used to be, or is it just another example of greed?

More to come. As ever,
August

from: August Wilson

Theater: The Last Haven Safe From Consumerism

Posted Monday, Sept. 10, 2001, at 6:25 PM ET
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John Lahr is senior drama critic for The New Yorker and author of 18 books. He recently co-authored, with Elaine Stritch, the play Elaine Stritch at Liberty, which will premier at the Public Theater in New York City in October. August Wilson is the two-time Pulitzer Prize-winning playwright who's best known for his 20th-century, decade-by-decade cycle of plays.
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[Thursday Fray Notes: There were harsh words in the "Breakfast Table" Fray; many Fraysters were not happy with the writers' views. The hot topics were moral relativism and moral equivalence: Tom R said "At best August's metaphysics is chaff; at worst his moral relativism is straw fit only for stable bedding." WillV was using the word "obnoxious." Over at the defense table, Zeitguy said "The frenzy of jingoistic violence that is starting to choke off any possibility of intelligent discussion is more toxic than all the burning plastic insulation and jet fuel that is choking lower Manhatten," and ended up "When it comes to freedom of speech, I don't split hairs."

Meanwhile, news from two New York-based star posters: Claude Scales recounted his story here; and Thrasymachus, here.]


OK we've all had our chance to marvel at this notion that, because the hatred which terrorist organizations feel towards the US presumably has some sort of explanation, their actions are at least partially justified. We've all had the chance to notice, among other things, the equivocation between "explanation" and "justification" on which it rests.

But there's another marvel here-- that an argument of this sort should be raised at all by the sort of people who've been raising it. Wasn't it conventional wisdom in lefty circles, prior to Tuesday, that being motivated by hatred aggravates a crime rather than excusing it? Someone was pushing for all those hate-crime laws, and I'm pretty sure it wasn't me. If the trauma of Tuesday were to change anyone's mind on that issue, wouldn't a change in the opposite direction have been a lot likelier? I can understand how watching that day's deluge of horrors would make someone start believing in "hate crime" even though I don't believe in it myself. But how could it make someone stop?

It's getting harder and harder to escape the conclusion that nothing has changed; that the real criterion is, as it has always been, not the presence or absence of hate but rather the palatibility of whatever ideological message comes attached to the crime. If the message is "I hate gays", that's good for an extra sentence. But if it's "I hate America", you've got their respectful attention.

--Fully Brusque Man

(To reply, click here.)


[Tuesday Fray Notes: There was, of course, only one topic for discussion. Compared with some of the other threads, (and typical of the "Breakfast Table" Fray) there were fewer calls for revenge, and more serious thoughtful posts. Mike J quoted from W.H.Auden's great poem September 1 1939 here.]


Walking down Pennsylvania Ave toward the Archives Metro station I saw something that I've only seen in movies--people scrambling to "get the hell outta Dodge." Five lanes of a six lane two-way avenue were commandeered by traffic going in the same direction, and cars were creeping over into the last remaining lane. People are scared, and they should be. But, what I saw was only a half step down from the type of public hysteria where it's no holds barred, every man for himself.

The attacks on the WTC, State Department, and Pentagon, are no less than acts of war. The loss of life in New York is tragic. But, what bothers me most is that the terrorist acts have produced exactly the desired reaction. I'm typing from my home in a Maryland suburb because I left work early out of fear. And now I'm angry. I'm angry because the fear and confusion is exactly what the terrorist hopes to promote. I'm angry because the object of my anger isn't here in front of me where I can see justice done.

I'm most angered by the fact that the terrorist has been successful--whether or not his ultimate goal is achieved (I'm very confident that it won't be) he has already won a major victory...

--Tony Adragna

(To reply, click here.)



Fear is only your daily bread if you choose to eat it... No doubt America is filled with yammerheads who will bay and cry for other innocents to be killed in exchange for our dead innocents. Americans don't, or shouldn't, commit foul deeds to trade for foul deeds. Bury and mourn the dead, take a close look at who rejoices and who joins us in mourning, rebuild and repair. Only then after a steady and thoughtful hunt for the guilty and weighing of evidence should anyone begin to decide what to do. Tomorrow the sun rises for most of us, and the Post Office will be open, coffee will need to be brewed, etc.

--Neill Hamilton

(To reply, click here.)


What we are faced with is our society's--our civilization's--enemies, on whom we ought now to wage war without stint and war without pity. Globalization has limits; all of humanity does not go forward together after all. Some must be excluded, and that is cause for great sadness. There is every reason to think that this coming war will change our way of life in some regrettable ways, will make us less tolerant and optimistic. It will be the price of our future

--Joseph Britt

(To reply, click here.)



We cannot allow the reptilian part of our brains control our response to this atrocity. If we throw bombs at people who have nothing to do with this act we will confirm the opinion of our enemies that we are no better than the terrorists. The terrorists will then win recruits and support. We should ask ourselves two questions: (1) How can we obtain adequate proof of who is really responsible for this crime and take appropriate measures that do not harm innocent people? (2) Why are there people in the world as intelligent as these terrorists who hate us so much that they would commit this evil act and sacrifice their own lives in the process. "Nuke 'um" is not a response worthy of our country.

--Thomas D. Hennessy

(To reply, click here.)

(9/11)







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