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the breakfast table: An e-mail conversation about the news of the day.

Paul Berman and Sarah Kerr

from: Paul Berman

New York, New York, It's a Wonderful Town ...

Posted Thursday, July 26, 2001, at 6:42 PM ET

Dear Sarah,

Oh, I like Eudora Welty's nervous agitation. It is a jaunty agitation. Charlie Parker plays in darting nervous phrases that seem to move quicker than the underlying tune, and Welty writes dialogue that moves quicker than the underlying story, and a lot of energy goes into those rhythms. The 20th century will be remembered as the age of amphetamine. That's what it was like.



About two New York writers passing notes back and forth, I don't think it's so bad. A substantial percentage of America's writers and especially certain kinds of journalists live in New York, and I think that is natural. Cars are made in Detroit, edicts in Washington, movies in Los Angeles, Northern California invents cuisine and makes wine, Mississippi has its Eudora Weltys, Chicago its theaters and blues musicians and whatnot, Nashville has its music scene, and so forth around the country. Why feel bad about that? Why not be happy and content that, in New York, America has something of a literary capital, just as other countries do? A concentration of people makes for a concentration of energy. Nashville's musicians wouldn't be as good if you spread them around the country. In my opinion, we'd be better off if more writers, not fewer, settled in New York.

I don't think I agree with you about the relative merits of Kahlo and Rivera. Does our disagreement stem from the fact that we wander the same streets? That wouldn't make sense. The great French literary critic of the 19th century, Hypollite Taine, had a marvelous theory about geography as a determining factor in literature. I say it was marvelous because it is fun to read. But I don't believe a word of it.

Might it be that the mere fact of discussing a topic like Kahlo and Rivera somehow reflects our New York locale? But Kahlo and Rivera were Mexicans, and New York has nothing to do with it. Sarah, you and I have ended up discussing Mexican themes because we both happen to have written about Mexico in the past, and magazines (New York magazines, I might add) have sent us to report on events there and published our articles precisely because the editors, in their non-provinciality, took an interest in the wider world.

Our great error, Sarah, was, I fear, to discuss the D train and the Q train. Here our critics may have a point. I hang my head in shame. One of my own critics has even awarded me a sort of dunce's prize, which he calls the Streisand prize or award or something, for what I have said about the D train and the Q train in the course of our "Breakfast Table" discussion. You can see my mortification on Andrewsullivan.com. On the other hand, what's wrong with Streisand? Better a Streisand prize than a Charlton Heston prize. So I accept the Streisand prize and feel honored by it. "The Way We Were" is a wonderful song, don't you agree?

And on that vibrato note of nostalgia, I thank you, Sarah, and the editors of Slate, and the irritated letter writers of "The Fray," for the pleasure of our weeklong amble through the fields of civility, bile, taxation, Bush, Fox, Welty, Kahlo, Stalin, New York provincialism, and the postal service's new stamp.

Yours,
Paul

from: Paul Berman

New York, New York, It's a Wonderful Town ...

Posted Thursday, July 26, 2001, at 6:42 PM ET
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Paul Berman is the author of A Tale of Two Utopias: The Political Journey of the Generation of 1968. Sarah Kerr is the film critic for Vogue.
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Reader Comments From The Fray:


[Friday Fray Notes: Thank you Roger for an incisive discussion on Central American history, and a great line on cabs in Mexico City. A.G.Android doesn't get to the "Breakfast Table" nearly enough these days, but he kicked off a splendid thread on Stalin here. And Tartwater O'Connor got things going here by asking where Fray posters live. Hazel Motes wants to add Ayn Rand to the moratorium mentioned below. Tom R explained why that would cause consternation at Fray HQ.]


Actually, in the less than safe confines of Mexico City were several prominent independent leftists, like Victor Serge, who were bodily threatened by Stalinist thugs. There's a rumor, in fact, that Tina Modotti was murdered in the back of a taxi cab (the taxi union was Communist dominated) after she started distancing herself from her boyfriend, who had helped to arrange Trotski's murder. As for Arbenz--of course, the CIA intervention was inexcusable, but even back as far as August Sandino, the PC line was not to support nationalist leftists, but to defame them, loudly. So painting Stalin's portrait was not the wholly innocent act Kerr implies--especially as Kahlo and Rivera knew, if anybody did, who the killers of Trotsky were, and what the threat to people like Serge was about. (Serge, by coincidence, also died of a heart attack in the back of a cab in Mexico City--it wasn't a safe mode of transport for a leftist dissenter); whereas I would have to defend those champagne guzzling Manhattan stalinists, who were probably, in the fifties, not guzzling champagne at all. They were probably desperately trying to find money for bail, as they were under attack by the forces of "democracy" in this country--the forces that decided to make being a communist illegal. A little ban on opinion that would have made John Adams, the current fashionable president, very happy, since it reproduced the reasoning of the Alien and Sedition acts.

--Roger

(To reply, click here.)


Sweden and France as so egalitarian because they charge VAT at rates greater than 18% plus they have higher tax rates than the U.S. A tax heaven they are not, but the services that everyone can benefit from are superb from health care to transportation so it could very well be a good trade-off.

I also find the horror at Vincente Fox not doing anything about the two environmentalists convicted based on confessions elicited by torture to be quite so typically American. America might protect US citizens from such actions, but who do you think trained so many of the torturers in Latin America. The CIA plus its allies like Argentina have trained the worst thugs in places such as Guatemala, Honduras, El Salvador and Mexico. I am sure that we are now in the process of training all of the right-wing thugs in Columbia to torture and kill all of their left-wing "narco"-terrorists. Mexico is certainly a very nasty and unfair palce, but America is also nasty and unfair outside of the US

----Martin Kannengieser

(To reply, click here.)


[Wednesday Fray Notes: We haven't had this one for a while: A-Z suggests a moratorium on some words (including Orwellian--see also Slate's "Idea of the Day" on Monday) in the "Breakfast Table." Arthur Stock wants to add "declare a moratorium" onto the list, and, yes, big surprise, lots of Fraysters have ideas for the list.]


It's not the type of tax, but the enforcement that determines tax compliance. During the first years of the Clinton administration, the IRS stepped up its enforcement of income tax laws, and the government's return on this investment was massive. When the Republicans got hold of the Congress, they held hearings where wealthy tax cheats complained about IRS mistreatment and cut the IRS's budget. The results were what you'd expect: more wealthy Americans avoiding the law

--Andrew W. Cohen

(To reply, click here.)



I could hardly agree more with Mr. Berman's sage advice, that readers ought to learn to distinguish between reporting in the New York Times and reporting in the New York Post. When the New York Post has an axe to grind, you know it immediately; it doesn't dress up its political agenda in the guise of "objective journalism" as does the New York Times in virtually every story within its covers. With that in mind, I wonder which Mr. Berman thinks is the more dangerous: the "unserious" propaganda you can spot and immediately discount as faux-news/entertainment, or the "serious" propaganda you can't.

--Adam

(To reply, click here.)






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