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The First Five Weeks of Season 3 of The Sopranos

Jennifer's Only Protector? Rottweiler Tony

Posted Monday, March 19, 2001, at 10:51 PM ET

Who are these people?

Dear Peggy, Glen, and Joel,

Wow! I agree that last night's episode was the best of the season and one of the best of the series from our "shrink-rap" point of view. There hasn't been that much play time between Tony and Jennifer since the very Episode 1, Season 1. The writers once again took Tony and Jennifer's relationship right to the precipice of crossing a boundary of no return. If Jennifer toyed with the idea of seeking justice through the hands of the only man in her life who appears able to dish it out (her mobster patient), she was fortunately able to restrain herself, though just barely. The idea of actually losing her "Rottweiler," however, was too much to bear, hence her emotional breakdown over Tony's proposed transfer to another therapist. Though we as professionals must side with the law, after watching that excruciatingly realistic rape scene, it was hard not to be tempted by the delicious wish that Jennifer would in fact sic Tony on her "Employee of the Month" Rapist.

After all, she has is little evidence that conventional law and order will protect her. This takes me back to the first season when her lawyer friend got beaten up by the cops. Remember then, Glen, how I said she is taken with Tony because ironically she feels safest with him. Tony represents the kind of man who will not allow the law to get in the way of taking care of his family. Now that the cops botch the custody procedure and have to release the perp, and returned-hubby Richard helplessly and impotently has to blame Jennifer for putting herself in harm's way so that he can restore his rule-bound universe, who else can Jennifer dream of taking "care of business" but her outlaw patient?

Tony is the only man yet in this entire series who has protected Jennifer. Just go back to Episode 13 of the first season in which he tells her to get out of town to save her own life until he "settles things and she can come back to work." In fact tells her that he is sending a couple of guys over to protect her until she can get out of town. He is her Rottweiler all right. If this isn't going to get the transference/countertransference juices flowing between them, nothing is.

Phil

Jennifer's Only Protector? Rottweiler Tony

Posted Monday, March 19, 2001, at 10:51 PM ET
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This spring, Slate will ask Dr. Melfi's real-life counterparts to examine developments on The Sopranos. Glen O. Gabbard, M.D., is a professor of psychoanalysis at the Menninger Clinic and co-author of Psychiatry and the Cinema. Philip A. Ringstrom, Ph.D., Psy.D., is an analyst at the Institute of Contemporary Psychoanalysis in Los Angeles and a full-time practitioner. Joel Whitebook, a practicing analyst in New York, is on the faculty of the Columbia Center for Psychoanalytic Training and Research. Margaret Crastnopol, Ph.D., is on the faculty of the Northwest Center for Psychoanalysis and a practicing psychologist/psychoanalyst in Seattle. Click here to comment on Sunday night's episode.
COMMENTS

Reader Comments From The Fray:



Margaret Crastnopol hit it right on the head: we are being too easy on Melfi (or at least the portrayal of Melfi). Fact is, Tony Soprano is an idiot and she's physically intimidated by him. She's also turned on by him--which is a revolting possibility. Thing is, thousands of women are, in fact, turned on by Tony and his merry band of thugs. Crastnopol's suggestion that the doctor-patient and doctor-doctor power positioning does little to counter stereotypes of weak women being pushed around by angry, stupid men--this is all correct, too. Actually, the whole program is misogynistic and ought not be watched by anyone....yet, I'm strangely attracted to it, bad writing/acting and all. Is it that I'm that desperate for entertainment or is this representative of some deep misogyny within? Doctors, tell me: what drives us (me) to watch this thing, even when I know it's negative TV? There are too many men and women out there watching this and thinking that this is an acceptable way of life. What's wrong with us? A diagnosis, please.

--Phil H.

(To reply, click here.)


To Phil H:

There is nothing wrong with "us." But there is a problem with your formulation of the problem. To enjoy this well-written and well-acted drama, we are not obligated to find that the fictional characters pursue "an acceptable way of life." On the contrary, I would guess that 99.9% of viewers strenuously object to the way Tony puts bread on the Sopranos' table.

We enjoy the bravura plot twists, the odd contrasts, the marvelous characterizations, and the Machiavellian tactics--and the occasionally absurd results of the characters' efforts. The monstrous is combined with the mundane in a striking and amusing way. Consider Tony strangling a mafia traitor as his beloved daughter is interviewed for admission to a genteel New England college.

Millions of people have read and admired Crime and Punishment. Do you suppose they accepted the grotesque reasoning that drove Dostoyevsky's main character? Must we approve of step-patricide to enjoy Hamlet?

Relax and enjoy the series. If you feel the urge to emulate the main characters, call your therapist (or your local sheriff).

--Gary

(To reply, click here.)


On the question of the Mafia don who approved of Tony's therapy: Remember that this was a leader of the Manhattan mob. Probably they are a little more sophisticated than the Jersey crowd. Remember, it was only Junior and Tony's assumption that seeing a shrink was taboo. The New York family was probably way ahead of them.

--Aurora Duane

(To reply, click here.)

(3/15)

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