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The First Five Weeks of Season 3 of The Sopranos

Pathologies of Fathers Visited on Sons

Posted Wednesday, March 14, 2001, at 3:23 PM ET

Who are these people?

Dear Glen,

I would agree with you that one of the many unusual things about the show is its non-sensationalistic portrayal of Dr. Melfi. Sure, she's got her own problems and counter-transferences to Tony--who wouldn't? But she's not a nut case working out her own psychopathology on her patients as you often see in Hollywood depictions of psychotherapists. Nor is she the idealized shrink you find in movies like The Prince of Tides or Ordinary People. She's probably typical of thousands of therapists in suburban medical buildings across the country, who are in the trenches everyday, working hard to diminish their patients' suffering.

I do, however, think she often tends to be heavy-handed in her interpretations. Her reference to the madeleine was particularly clumsy, as you observe, but it wasn't that atypical for her. And when she lectures Tony about the literature on the treatment of panic disorders, she was too didactic as well. I believe you should talk to all patients in non-technical straightforward language, the psychotherapeutic sophisticates from Manhattan as well as the ordinary citizens like Tony from New Jersey. And Dr. Melfi regularly has trouble doing that.

Finally, if these "usually superb writers" blew it with the reference to the madeleine, they redeemed themselves with the hilarious last scene. In recent shows, Anthony Jr. has been suffering from the consequences of being Tony's son. When he showed up at the appointed time for the traditional after-school brawl, the other kid wouldn't fight because Anthony's father was a Mafioso. Now in this episode, Anthony is on the football team, and the coach isn't showing any favoritism. Indeed, he doesn't even take Anthony off the bench until the very end of the game. Once on the field, however, where the family can't be of much help, Anthony uses his own skill and determination to create a personal triumph by recovering a fumble. But then the perfect twist: When the coach rewards him for his initiative and physical prowess by naming him defensive captain of the team, Anthony promptly faints. I guess you could say that the pathologies of the fathers are visited on the sons.

Pathologies of Fathers Visited on Sons

Posted Wednesday, March 14, 2001, at 3:23 PM ET
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This spring, Slate will ask Dr. Melfi's real-life counterparts to examine developments on The Sopranos. Glen O. Gabbard, M.D., is a professor of psychoanalysis at the Menninger Clinic and co-author of Psychiatry and the Cinema. Philip A. Ringstrom, Ph.D., Psy.D., is an analyst at the Institute of Contemporary Psychoanalysis in Los Angeles and a full-time practitioner. Joel Whitebook, a practicing analyst in New York, is on the faculty of the Columbia Center for Psychoanalytic Training and Research. Margaret Crastnopol, Ph.D., is on the faculty of the Northwest Center for Psychoanalysis and a practicing psychologist/psychoanalyst in Seattle. Click here to comment on Sunday night's episode.
COMMENTS

Reader Comments From The Fray:



Margaret Crastnopol hit it right on the head: we are being too easy on Melfi (or at least the portrayal of Melfi). Fact is, Tony Soprano is an idiot and she's physically intimidated by him. She's also turned on by him--which is a revolting possibility. Thing is, thousands of women are, in fact, turned on by Tony and his merry band of thugs. Crastnopol's suggestion that the doctor-patient and doctor-doctor power positioning does little to counter stereotypes of weak women being pushed around by angry, stupid men--this is all correct, too. Actually, the whole program is misogynistic and ought not be watched by anyone....yet, I'm strangely attracted to it, bad writing/acting and all. Is it that I'm that desperate for entertainment or is this representative of some deep misogyny within? Doctors, tell me: what drives us (me) to watch this thing, even when I know it's negative TV? There are too many men and women out there watching this and thinking that this is an acceptable way of life. What's wrong with us? A diagnosis, please.

--Phil H.

(To reply, click here.)


To Phil H:

There is nothing wrong with "us." But there is a problem with your formulation of the problem. To enjoy this well-written and well-acted drama, we are not obligated to find that the fictional characters pursue "an acceptable way of life." On the contrary, I would guess that 99.9% of viewers strenuously object to the way Tony puts bread on the Sopranos' table.

We enjoy the bravura plot twists, the odd contrasts, the marvelous characterizations, and the Machiavellian tactics--and the occasionally absurd results of the characters' efforts. The monstrous is combined with the mundane in a striking and amusing way. Consider Tony strangling a mafia traitor as his beloved daughter is interviewed for admission to a genteel New England college.

Millions of people have read and admired Crime and Punishment. Do you suppose they accepted the grotesque reasoning that drove Dostoyevsky's main character? Must we approve of step-patricide to enjoy Hamlet?

Relax and enjoy the series. If you feel the urge to emulate the main characters, call your therapist (or your local sheriff).

--Gary

(To reply, click here.)


On the question of the Mafia don who approved of Tony's therapy: Remember that this was a leader of the Manhattan mob. Probably they are a little more sophisticated than the Jersey crowd. Remember, it was only Junior and Tony's assumption that seeing a shrink was taboo. The New York family was probably way ahead of them.

--Aurora Duane

(To reply, click here.)

(3/15)

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