A 17th-Century Argument for the Many Virtues of Coffee, Chocolate, and Tea
In this 1690 broadside advertisement, London merchant Samuel Price deployed rumor and vivid anecdote to advance the medical case for drinking coffee, chocolate, and tea. Forty years after the opening of the first coffeehouses in London, Price, who had “really and truly prepared and compounded” coffee and chocolate for sale, circulated this text that argued that people should drink these beverages at home, and often.
A Beautiful Depression-Era Route Map Makes Transcontinental Bus Travel Look Glamorous
A 1935 promotional map for Pacific Greyhound shows the long reach of the bus company, when its regular schedules were combined with routes of regional affiliates. Printed a few decades after the founding of the company that would become Greyhound, the map shows how quickly Americans took to the idea of interstate bus service.
How Railroads Advertised for Homesteaders to Settle in Indian Territory
As 19th-century homesteaders moved west, the lands in present-day Oklahoma where eastern tribes had been resettled after removal earlier in the century came under threat of settlement. This flier, printed on behalf of the Kansas City, Lawrence, & Southern Railroad in anticipation of the opening of unassigned lands in the state’s “Indian Territory,” shows how railroads whipped prospective emigrants into an anticipatory frenzy. “The rush will be great, and early comers will have every advantage,” the flier warns.
Peep Inside a Newspaper's Bustling Headquarters, Circa 1922
In this cutaway drawing of the interior of the Washington Evening Star’s building, printed in that paper in 1922, the physical layout of the paper’s office is visible to the reader, with editorial offices, technical plant, and employee resources (library, a top-floor cafeteria) all included. The Star’s building also housed several outside agencies, and their offices are shown, as well.
Delicately Hand-Tinted Postcards Show How Early 20th-Century Tourists Viewed Japan
These hand-tinted Japanese postcards are part of a new exhibit on the history of tourism in Asia at the Smithsonian’s Sackler Galley, titled “The Traveler’s Eye.” The postcards, produced in the early 20th century as Western visits to Japan increased in volume, show off the skills of Japan’s photo colorists.
Beautiful, Terrible Watercolors of a 19th-Century Whale Hunt, Found in a Ship’s Logbook
After exhausting the fisheries around New England, 19th-century whaling ships needed to go farther afield, taking years-long journeys to distant oceans to find their prey. “These extended trips offered more leisure time,” the curators of a new exhibition of whaling artwork at the Providence Public Library write, “and many whalemen chose to fill that time in artistic pursuits.”
A WWII Ration Book Issued to FDR
This ration book, issued to President Franklin Roosevelt, can be found in the President’s papers at the Franklin D. Roosevelt Presidential Library and Museum. The Roosevelts adhered to mandatory rationing along with other voluntary wartime homefront initiatives, like planting a Victory garden and installing blackout curtains on the White House. The standard ration book includes coupons for staples like flour, wheat, sugar, and meat.
Gently Sexy Boudoir Stereographs for Use in Victorian Parlors
These mildly provocative stereographs were marketed for parlor use in the late 19th century. Used with a stereoscope, the side-by-side images would render in 3D. (If you happen to have a pair of 3D glasses, you can use them while looking at the stereographs’ page on the Library Company’s website, to mimic the effect.)
A Quaker Printer’s Early–19th-Century Attempt to Convince New Yorkers of the Horrors of Slavery
Quaker printer Samuel Wood, active in New York in the early 19th century, published and sold this graphic broadside depicting the sufferings of enslaved people in the West Indies.
How One 17th-Century Artist Produced a Good Painting of an Animal He’d Never Seen
The best early-modern European picture of a hippopotamus comes from the hand of the celebrated Baroque painter Pieter Paul Rubens. Until 1800, this 1616 painting remained the only realistic image of this fearsome animal to be produced north of the Mediterranean.