“Dump Trump” and “Hill Yeah” Pins and Patches Want to Make You Laugh—and Vote
In the interminable runup to the U.S. presidential election, Hillary Clinton recruited 45 designers around the country to create campaign buttons, and AIGA member designers have created a range of free downloadable posters encouraging citizens to exercise their right to vote. Design can’t save the election and political Pins Won’t Save the World, but that hasn’t stopped New York City–based Sagmeister & Walsh from producing an eleventh-hour series of pins, stickers, bumper stickers, patches, temporary tattoos, T-shirts, and posters designed to galvanize the millennial vote.
Zaha Hadid’s New Antwerp Port House Looks Like a Giant Spaceship
Since Zaha Hadid’s sudden death in March, the studio that bears her name has had its hands full finishing the prolific and trailblazing architect’s roster of some three dozen works-in-progress. The latest is perhaps one of her most striking creations, the newly inaugurated Port House in Antwerp, Belgium—Europe’s second-largest port—built on the back of a former fire station. The new structure is a headquarters for the port and its staff of 500 which was previously scattered in offices throughout the city.
The World’s Most Elegant Startup Office Is in an Old Montreal Bank
In an era when even even the most unlikely of companies are attempting to design their office spaces in the image of a hip tech startup, it’s refreshing to see an architect create a glamorous, grown-up, modern working space that does not spare a thought for bean bag chairs, pool tables, and neo-industrial flourishes.
These Floating Shipping Containers Might Be the Coolest Dorms Ever Created
Think Concrete Is Stronger Than Timber? This London Pavilion Wants to Prove You Wrong.
The Smile is an urban pavilion on display at the London Design Festival that shows off the virtuosity of cross-laminated timber. Designed by London-based Canadian architect Alison Brooks and engineered by Arup, the Smile is a 112-foot-long, 10-foot-high curved tube engineered from American tulipwood whose ends are cantilevered into an approximation of giant upturned lips.
This Company Gives Felt Dolls Modeled After Its Employees as a Loyalty Perk
Corporate perks are one measure of a company’s culture. Wall Street dolls out cash bonuses to executives; Google keeps employees on campus with free food and playground office spaces. And staff at online print and design company Moo, which makes high-tech business cards, offers its workers a quirky perk as a reward for putting in two years of service: a handmade Voodoo-like felt doll fashioned in their very own likenesses by Greece-born, Atlanta-based textile artist Helen Greenstein.
A British Designer Is Building a $150 Million Climbable Sculpture in New York City
British designer Thomas Heatherwick has unveiled plans for Vessel, a climbable piece of public art to be built as a centerpiece for the Public Square and Gardens at Hudson Yards on the west side of Manhattan, designed by Nelson Byrd Woltz Landscape Architects, in collaboration with Heatherwick Studio. Part of a massive privately funded mixed-use development, the space will feature more than 5 acres of public plazas, gardens, and groves that connect to the High Line.
The Elegant Newest Smithsonian Traces Black History in Its Architecture
Washington’s National Museum of African American History and Culture opens to the public on Saturday. The 400,000-square-foot museum is nestled in the heart of D.C.’s National Mall, occupying the last undeveloped plot of land on Constitution Avenue adjacent to the National Museum of History and the Washington Monument.