Kids Say the Darndest Things: A Supercut of Children Cursing in Movies
There’s not much to say here, except to laud Avaryl Halley’s important work: a supercut of kids cursing in movies. The video kicks off with Ralphie from A Christmas Story, then gives us a nice compilation of innocent, adorable children at their most foul-mouthed and profane. Included are classic moments of obscenity from The Sandlot, Little Miss Sunshine, and, of course, South Park.
The Members of Weezer Just Want to Be Nerds Again in “Back to the Shack”
Weezer has always relied on nostalgia. Even in 1994—when the band's members were just some baby-faced, uncool college kids who started a rock band—their brand of pop-rock turned on remembered pleasures, bygone loves, and adolescent embarrassments. Not much has changed: the band’s first song in four years, “Back to the Shack,” is basically an apology for the past two decades and a promise to embrace their nerdy roots.
Robyn and Röyksopp Incite Revolution in Their Cinematic New Video
Last year, Swedish singer Robyn and Norwegian electronic duo Röyksopp rejoined musical forces to create one of 2014’s best EPs, a five-track, collaborative mini-album, Do It Again. And while their last video, for “Sayit,” was a sensory spectacle, it didn’t quite capture the essence of their music. Their newly released video for the EP’s title track—a Song of the Summer contender—hits the mark.
Spike Lee Edits Footage of Eric Garner’s Death Together With the Killing of Radio Raheem
If you thought of Do the Right Thing and Radio Raheem after hearing of the death of Eric Garner, who died after being put in a banned chokehold by police on Thursday, you were not alone. Spike Lee himself apparently thought of Raheem, and took to Twitter this afternoon to share a video that cuts together footage of Garner’s arrest (“I can’t breathe,” repeats Garner, who had asthma) with the scene in which Raheem is killed in a chokehold by police.
It’s worth noting that Radio Raheem’s death in Do the Right Thing was itself inspired by the real-life death of Michael Stewart in 1983: Raheem is killed by the same chokehold that witnesses said police used against Stewart. In the crowd in the movie, a voice can be heard saying, “They did it again. Just like Michael Stewart.”
Why Is Magic’s “Rude” No. 1?
If you need evidence that America is having its ’90s-revival moment—right on thetwo-decades-later nostalgia schedule—look no further than “Rude” by Magic, the new No. 1 on Billboard’s Hot 100 pop chart. “Rude” is essentially an amalgam of two smash hits that rode the Top 10 together in the spring of 1993: the Spin Doctors’ “Two Princes,” from which it borrows its hey-pops-let-me-marry-your-daughter lyrical theme and knit-cap sartorial style; and Snow’s “Informer,” the last Canadian reggae tune to reach the top spot.
That’s right, Canadian: The four guys in Magic, the first band of Canucks to top the Hot 100 since Nickelback more than a decade ago, hail from the Toronto area, just like Darrin “Snow” O’Brien. So why are all these Great White North folks jammin’?
The Decline of Harper Lee
For Monroeville, Alabama, population 6,400 and shrinking, the summer of 2010 was momentous. Over a long July weekend, locals reenacted historical vignettes, held a silent auction, cooked a southern feast, and led tours of local landmarks. There was a documentary screening, two lawn parties, and a marathon reading of the novel whose 50th anniversary was the grand occasion. To Kill a Mockingbird, which needs no introduction—because it is the introduction, for most American children, to civil rights, literature, and the justice system—had sold nearly a million copies for each year in print. There were at least 50 other celebrations nationwide, but the epicenter was Monroeville, a place whose only real industry (the lingerie plant having recently shuttered) was Mockingbird-related tourism. It was not only the model for the novel’s fictional Maycomb but the home of its author, Harper Lee. She lived less than a mile from the festival, but she never came.
If our country had a formalized process for anointing literary saints, Harper Lee might be first in line, and one of the miracles held up as proof would be her choice to live out her final years in the small town that became the blueprint for our collective ideal of the Small Town. But at 88, the author finds her life and legacy in disarray, a sad state of litigious chaos brought on by ill health and, in no small part, the very community she always believed, for all its flaws, would ultimately protect her. Maycomb was a town where love and neighborly decency could overcome prejudice. To the woman who immortalized it and retreated to it for stability and safety, Monroeville is something very different: suffocating, predatory, and treacherous.
For much of her life, Nelle Harper Lee (known to friends as Nelle) spent more time in the comforting anonymity of New York than in the Monroeville redbrick ranch house her family had occupied since 1952. Then, in 2007, a stroke left her wheelchair-bound, forgetful, and largely deaf and blind—forced to sell her Upper East Side apartment and move into a Monroeville assisted-living facility. It was a loss but also a homecoming: For decades she’d relied on another local living legend, Alice Lee—her older sister, part-time housemate, and lawyer—to maintain her uneasy armistice with her hometown and her fame.
Hear “Another One Bites the Dust” Sung Entirely by Screaming Movie Characters
Taking one of the most instantly recognizable bass lines in rock history and aligning it with screaming movie characters is a fairly random idea, but YouTube user Ryan Mitchell’s mashup of Queen’s “Another One Bites the Dust” with the anguished cries of the likes of Marion Crane and Batman is goofy fun, with each high-pitched squeal nicely matched to the notes of the song.
Weird Al Skewers Corporate-Speak to the Tune of “Suite: Judy Blue Eyes”
The Wall Street Journal seems like an odd outlet for a Weird Al video premiere—until you listen to “Mission Statement,” and realize that it sends up the kind of business jargon that WSJ readers presumably know well. Yankovic wrote the song to the tune of “Suite: Judy Blue Eyes” by Crosby, Stills & Nash, explaining to theJournal that he “thought it would be ironic to juxtapose” corporate buzzwords “with the song stylings of CSN, whose music pretty much symbolizes the antithesis of corporate America.”
Watch John Oliver Explain How Broken America’s Prison System Is
On yesterday’s edition of Last Week Tonight, John Oliver continued his strong run of main stories—see, for instance, his recent segments on net neutralityand income inequality—with 17 minutes on America’s exceptionally high incarceration rate, the horrendous conditions inside many American prisons, the problems with privatization, the tastelessness of jokes about prison rape, and the disproportionate criminal penalties meted out to people of color for low-level drug offenses.
The riff was inspired by prison reform hearings held last week by the House Judiciary Committee, and it includes a clip from perhaps the most heartbreaking Sesame Street skit I’ve ever seen.
Weird Al Throws Up on Christian Slater, Sits Next to Steve Buscemi in “Lame Claim to Fame”
Perhaps the most surprising story of the past week has been the comeback of “Weird Al” Yankovic, the novelty-song genius who has delighted fans with a canny Internet stunt: a new music video, every day, from new album Mandatory Fun. His latest from that record, “Lame Claim to Fame,” is a particularly amusing Southern-rock riff on celebrity name-dropping and the “six degrees of separation” craze.