This Is How to Sell Flowers in Kolkata
While visiting Kolkata a few years ago, Danish photographer Ken Hermann was drawn to the thousands of people selling flowers in the Malik Ghat Flower Market—particularly the clothing the men were wearing. The images stayed in his mind, and, in 2014 he returned to the market to create portraits of the sellers for the series “Flower Man.”
Hermann worked with a local guide and translator since many of the sellers are from Bangladesh and only speak Bangla. Shooting in the market proved too difficult due to the congestion, so Hermann took the sellers along the Hooghly River, where he set up one studio light during the midday sun. Typically, Hermann prefers softer light during the mornings and late afternoons, but he went after the harsh midday sun for “Flower Man.”
“For this project I wanted to overexpose the background so all of them were shot when the sun is straight above,” he said. “Kolkata is hazy because of the smog and I wanted this really bright style … it gave it a nice touch instead of a sunset type background.”
Remembering the Wild Times at Brooklyn’s DIY Venues
In the last few years, skyrocketing rents and neighborhood changes have killed some of Brooklyn’s favorite DIY, or “do-it-yourself,” music venues. This month, they go one more celebratory send-off with an exhibit, “RIP DIY,” which was on display at Brooklyn’s Cloud City. Featuring the work of 20 photographers, it showed these independent venues during their glory days, when the bands were loud, the drinks were cheap (and often available for those underage), and the party seemed like it might never stop.
Mothers Photographed With Their Day-Old Newborns
Before Jenny Lewis had her first child, the only stories she heard about giving birth were terrifying. “It was like ‘Oh, God, how am I going to get through this?’ ” she recalled.
But Lewis’ experience turned out to be a positive one, so she decided to begin a project that captured the emotions of new motherhood, 24 hours in. This month, she published One Day Young (Hoxton Mini Press), which includes 40 of the 150 portraits she took in the homes of new mothers with their babies.
Lewis began the series by hanging leaflets around the London borough of Hackney where she lives, offering a free print to anyone willing to pose for her should they happen to be home a day after delivering their baby. She wanted the work to be as organic as possible so she didn’t pre screen anyone.
“I didn’t want to persuade people or impose myself on them,” Lewis said. “It had to come from them: If you fancy doing it just call me when the contractions start and I’ll plan on it. If you don’t fancy it just let me know.”
Once Lewis had finished with the portrait, she would post it online.
A Pensive Look at Childhood Fun
Photographs of children, especially children playing, tend to be a little hokey and predictable. That’s a pitfall that Brian M. Cassidy and Melanie Shatzky try to avoid in their series, “The Children,” which makes summertime play look half magical/half nightmarish.
The photos were taken last year, when the creative duo was invited to teach filmmaking and live as artists-in residence at a summer camp. They were also asked to make a record of camp activities and their young participants. This series was what emerged.
The Memories That Make Us Cry
What would you do if a stranger stopped you on the street and asked you to come into a studio and cry while he photographed you?
Georges Pacheco asked this question of people on two separate occasions in 2005 and 2006 at the Centro Português de Fotografia in Portugal. Enough people said yes to create the series “La memoire des larmes.”
It was time consuming to try and find people, but that wasn’t the only hurdle. “It was also never certain that they would be able to cry,” Pacheco wrote via email.
Balancing Ballet and Motherhood With Grace
Performing as a prima ballerina in one of the country’s best ballet companies can be grueling, but for at least three dancers from the San Francisco Ballet who have children, the hard work doesn’t end on stage.
Using Photography to Explore What It Means to Be Masculine
Portraiture is, by nature, intimate. It invites the viewer into a private moment shared by the photographer and subject. In her latest work, “Every Breath We Drew,” Jess Dugan invites the viewer to reflect on her vision of the masculine identity. She also asks a more fundamental question about identify: How much of it is informed by our relationships to other people?
“I think that comes a lot from my own experience in the world in that I’ve always looked very masculine,” said Dugan. “I’m part of trans community; I’m not a lesbian and I’m not a gay man but I hang out in those spaces. I think I’m hyper aware of how my identity changes in different contexts.”
Finding “Swagabond” Fashion in L.A.’s Skid Row
For many, Downtown L.A.’s Skid Row is famous for having the highest concentration of homelessness in the country. But for Géraldine Freyeisen—who first came to the area to work as an assistant for a documentary, Lost Angels: Skid Row Is My Home, which follows the lives of eight homeless people who live there—it became a kind of home.
Portraits of the 21st-Century Family
Crowe finds the families she shoots primarily through word of mouth. She prefers to allow the series to guide her, rather than placing any type of parameter on who she decides to photograph.
“The project keeps evolving on it’s own and will continue to be what it’s going to be,” she said. “I don’t really force anything. I’ll be walking down a street and think, ‘I need to do a bodybuilder family!’ ”
The Midwest’s Quirkiest Bowling Alleys
The number of bowling alleys in the U.S. has been in decline for decades, and the number of Americans joining bowling leagues has dropped significantly, as Robert Putnam highlighted in his seminal book, Bowling Alone. But things might not seem so dire if you look at the photos in Williams’ series, “Bowling: The Midwest,” which celebrate the quirky alleys still standing in Middle America, and the dedicated owners who want to keep them going.