Handprints of Hitler, Mussolini, and FDR, Analyzed by a Palm Reader in 1938
In a 1938 book, How to Know People by Their Hands, palmist Josef Ranald included these three handprints of Franklin Delano Roosevelt, Benito Mussolini, and Adolf Hitler, analyzing each. His analyses offer an unexpected window into popular perspectives on these leaders' personalities, before the outbreak of World War II.
Photos of Bohemian Partiers in New York’s Greenwich Village, 1910-1920
In a series of photographs taken between 1910 and 1920, Jessie Tarbox Beals documented the parties and get-togethers of bohemian Greenwich Village. Beals also took posed portraits of denizens of the Village, some of which she sold as postcards to curiosity-seekers interested in seeing how the famously "liberated" men and women of the Village conducted their lives. These group shots of gatherings are the most casual of her Village images.
How to Captivate an Audience Using Gestures, From a 19th-Century Oratorical Primer
These Postures and Attitudes were meant for nineteenth-century students to use when practicing speech-giving. Presented as illustrations in Charles W. Sanders' Sanders' School Speaker: A Comprehensive Course of Instruction in the Principles of Oratory; With Numerous Exercises for Practice in Declamation, the figures advised students how to use their bodies to heighten the effect of their delivery.
A 1935 Historical Map of Shanghai, Designed by an Enthusiastic Resident Expat
Carl Crow, an American journalist and adman who lived in Shanghai for twenty-five years, designed this historical map of the city in 1935. Crow was a ceaseless promoter of China in general and Shanghai in particular, and the map illustrates his vision of a "cosmopolitan" city where American, French, British, and Chinese cultures mixed.
Bloody Accounts of Steamboat Disasters, Sold to Tourists on the 19th-Century Mississippi
Publisher James T. Lloyd's 1856 book Lloyd's Steamboat Directory, and Disasters on the Western Waters, is illustrated by 32 woodcuts of explosions, fires, and foundering ships, chronicling a decades-long history of steamboat mayhem. (The whole book is digitally available via the Library of Congress, on the Internet Archive.)
Sumptuous 1920s Art Nouveau Prints of Insects From Around the World
E.A. Séguy, a French artist, created these prints of insects in the 1920s and sold them in pattern books to others who might use them for inspiration in coming up with designs for textiles or wallpaper. Like other work in the Art Nouveau tradition, Seguy's images look to nature for inspiration, adopting a crowded, colorful aesthetic. Given their strongly geometrical aspect, his insects might also inspire designers working in the newer Art Deco style.
A Telephone Map of the United States Shows Where You Could Call Using Ma Bell in 1910
There were 5.8 million telephones in the Bell/AT&T network in 1910, when this map was published. It shows the uneven development of early telephone service in the United States, and gives us a sense of which places could speak to each other over Bell’s long-distance lines in the first decade of the twentieth century.
The Two-Page Plot Outline a Writer of the Hardy Boys Series Used to Crank Out a Book
In this two-page outline for the 1927 Hardy Boys’ mystery The House on the Cliff, Edward Stratemeyer directed writer Leslie Macfarlane in the construction of the plot of the second book in the franchise’s original series. The book was officially published as the work of Franklin W. Dixon, a fictional author whose name appears on all of the Hardy Boys books.
How a Jewish Rescuer Smuggled Hundreds of Jews Out of Poland During WWII
Ben Zion Kalb (later named Colb) was 29 years old when the Germans invaded Poland in September, 1939. After a violent encounter with a German policeman, Kalb realized that Poland had become unsafe for Jews, and escaped to Slovakia. (This country, while allied with the Axis powers and initially complicit with the deportation of its Jewish citizens, refused to allow deportations after October, 1942.)
A 19th-Century Japanese View of London, by an Artist Who’d Never Been There
Utagawa Yoshitora’s 1866 prints “Igirisukoku Rondon no zu” form a triptych view of London. Together, the three images depict a street scene near the River Thames, complete with thronging English pedestrians, two sailing ships, horses, oxen, and carriages.