Unraveling the Mystery of Vivian Maier, One of America’s Great Street Photographers

Slate’s design blog.
March 24 2014 12:32 PM

Unraveling the Mystery of Vivian Maier, One of America’s Great Street Photographers

One of the photos that John Maloof unearthed after purchasing a box of negatives by a then-unknown nanny who has become recognized as one of the most important photographers of the 20th century.

Photo by Vivian Maier/Maloof Collection

When John Maloof bought an unmarked box of some 40,000 negatives at a Chicago auction house in 2007 for $380, he had no idea he had stumbled upon a body of undiscovered work by Vivian Maier, a French-American nanny born in 1926 who has posthumously become recognized as one of the 20th century’s greatest American street photographers.

“At first I didn’t know that this was great street photography,” Maloof told me in a phone interview. The photographs he subsequently posted online and which have now been exhibited around the world and collected in a handful of books are “a tiny, tiny fraction of her work,” he said. “Every photographer has an overwhelming amount of horrible work, so you have to go through a lot of negatives. Even if you pick up one and it’s great there will be a ton that are not gonna be great.”

Nevertheless, Maloof said that as he unearthed more of Maier’s best work he was inspired both to start shooting himself and to find out more about photography. In 2008 and 2009, he spent another $70,000 or so purchasing what he estimates is 90 percent of Maier’s body of work from others who had purchased boxes from the auction house, and he is now the custodian of some 100,000 negatives.

One of the photographs taken by Vivian Maier over nearly half a century before her death in 2009.

Photo by Vivian Maier/Maloof Collection


Ever since that first fateful day at the auction house, Maloof has been slowly trying to unravel the mystery of Maier, a woman who spent nearly half a century taking photos that she never shared with the world.

When he first discovered Maier’s name in one of the boxes, Googling her yielded no results—until her obituary in 2009. Maloof eventually found an address that gave him a lead to people she had worked for as a nanny in Chicago. When he went to meet them, they told him they had a storage locker full of her stuff that was headed for the dumpster. He took the whole lot—tons of newspapers, receipts with varying spellings of her name, books, clothes, hats, letters, and more ephemera—to add to the mountain of negatives, hundreds of hours of Super 8 video and audio recordings and cameras that she left behind.

“It was overwhelming,” Maloof said. “There’s no way you can go through it all. She saved everything. Every single book had a note in it or a coupon or a receipt. Everything was like jammed in everything, letters had other things in them, she was such a hoarder. I mean really.”

140328_EYE_Vivian Maier's belongings
In addition to 100,000 negatives, Vivian Maier left behind an overwhelming tangle of receipts, notes, and other scraps of personal ephemera.

Ravine Pictures, LLC 2013, courtesy of Sundance Selects

So much stuff, and so few answers about who the mysterious nanny was who had held on to her negatives for dear life but never exposed her work. But talking to people who had been in contact with her stoked Maloof’s curiosity further. He joined forces with filmmaker Charlie Siskel to make Finding Vivian Maier, a documentary that opens Friday in New York and Los Angeles. In it, the filmmakers tracked down dozens of people—including parents who hired her, children she cared for, store owners, movie theater operators, and curious neighbors who remember her—from Chicago to France.

“I wanted to figure out who she was,” said Maloof. “Who is she, why is she taking all these pictures, what compelled her to take them, and why she didn’t show the work. I didn’t know what I was looking for, I just wanted to find out more about her, and each person had a different take.”

Self-portrait by Vivian Maier.

Photo by Vivian Maier/Maloof Collection

In the film, we learn that Maier was intensely private, socially awkward, estranged from family, a loner; even those who shared the same roof with her seemed merely to observe the eccentric woman who insisted on locking her bedroom door and fiercely guarding her boxes of worldly possessions, without ever knowing exactly who she was. Some speculate that she wouldn’t have wanted or been able to handle all the attention that has since been paid to her extraordinary work. But in one poignant scene, Maloof uncovers a letter in which Maier expresses her sadly unrealized desire to put herself out in the world.

Nobody will ever know the scope of Maier’s intentions. Though the compulsion to record if not edit her vivid images of 20th-century life has made the world a richer place, there is still the matter of all the other stuff.

Maloof said he'd managed to throw some things away—including about 75 percent of her newspaper collection that he said was taking up half of his two-and-a-half car garage. “No museum in the world would want to store literally one or two tons of newspapers by some artist,” he said. But what about the rest of it?

“Who knows,” Maloof said. “I have no idea. Nobody has given me any suggestions and until I have a good home for it I’m not going to do anything rash.”



The Democrats’ War at Home

How can the president’s party defend itself from the president’s foreign policy blunders?

An Iranian Woman Was Sentenced to Death for Killing Her Alleged Rapist. Can Activists Save Her?

Piper Kerman on Why She Dressed Like a Hitchcock Heroine for Her Prison Sentencing

Windows 8 Was So Bad That Microsoft Will Skip Straight to Windows 10

Homeland Is Good Again! For Now.


Cringing. Ducking. Mumbling.

How GOP candidates react whenever someone brings up reproductive rights or gay marriage.


How Even an Old Hipster Can Age Gracefully

On their new albums, Leonard Cohen, Robert Plant, and Loudon Wainwright III show three ways.

The U.S. Has a New Problem in Syria: The Moderate Rebels Feel Like We’ve Betrayed Them

We Need to Talk: A Terrible Name for a Good Sports Show by and About Women

Trending News Channel
Oct. 1 2014 1:25 PM Japanese Cheerleader Robots Balance and Roll Around on Balls
  News & Politics
The World
Oct. 1 2014 12:20 PM Don’t Expect Hong Kong’s Protests to Spread to the Mainland
Oct. 1 2014 2:16 PM Wall Street Tackles Chat Services, Shies Away From Diversity Issues 
The Eye
Oct. 1 2014 1:04 PM An Architectural Crusade Against the Tyranny of Straight Lines
  Double X
The XX Factor
Oct. 1 2014 2:08 PM We Need to Talk: Terrible Name, Good Show
  Slate Plus
Political Gabfest
Oct. 1 2014 1:53 PM Slate Superfest East How to get your tickets before anyone else.
Brow Beat
Oct. 1 2014 3:02 PM The Best Show of the Summer Is Getting a Second Season
Future Tense
Oct. 1 2014 3:01 PM Netizen Report: Hong Kong Protests Trigger Surveillance and Social Media Censorship
  Health & Science
Oct. 1 2014 2:36 PM Climate Science Is Settled Enough The Wall Street Journal’s fresh face of climate inaction.
Sports Nut
Sept. 30 2014 5:54 PM Goodbye, Tough Guy It’s time for Michigan to fire its toughness-obsessed coach, Brady Hoke.