The New York City Opera’s Gay Legacy

Expanding the LGBTQ Conversation
Oct. 1 2013 3:18 PM

With New York City Opera’s Closing, the Gay Community Loses a Home

Anna Nicole Smith in 2003. The life of the late model and actress was depicted in a recent production by the New York City Opera.

Photo by Sam Riche/Getty Images

With a successful production of the opera Anna Nicole finishing up last Saturday night, many in New York and around the country are today mourning what appears to have been the final curtain call for the New York City Opera. The venerable 70-year-old company, having fallen well short of raising the $7 million needed to save the current season by an Oct. 1 deadline (part of the emergency fundraising campaign played out on Kickstarter), will file for bankruptcy and begin closing procedures this week. In an email to subscribers, current general manager and artistic director George Steel recalled the company’s much-beloved history as “The People’s Opera”:

New York City Opera has introduced generation after generation of young singers who are stars in the making, brought the public exciting new works and compelling, fresh interpretations of classics, acted as a champion for American composers and performers, and ensured that every New Yorker can experience the live art of opera.
J. Bryan Lowder J. Bryan Lowder

J. Bryan Lowder is a Slate assistant editor. He writes and edits for Outward, Slate’s LGBTQ section, and for the culture section.


With ticket prices that were often relatively affordable (in recent years, special tickets went for $25), the NYCO was certainly more accessible to many opera-goers than pricey rivals like the Metropolitan Opera. But accessibility does not necessarily pay the bills, and after the company left its tony home at Lincoln Center in 2011 for a nomadic, theater-to-theater existence to save money and be closer to the middle- and working-class people it was meant to serve, the daring business model never seemed to stabilize. That’s a shame, not only because the NYCO was a fine producer of opera, but also because it was especially beloved by many in the gay community.

Over on HuffPo Gay Voices, author Perry Brass has a moving remembrance about a dear friend who was both an avid supporter of the NYCO and, later, a victim of the AIDS epidemic. Along the way, Brass describes how central the NYCO shows were as a social space for gay men during the decades just after Stonewall:  

Many of my friends were culture vultures, and culture, high culture, nosebleed high, was being made here. … The Metropolitan Opera, across Lincoln Center's plaza, was stupid. It was stodgy. It was fat, old people with fat, old money. At the New York State Theater you saw hot guys in full leather gabbing about Bev's Violetta in La traviata, or Samuel Ramey's naked chest in Boito's Mefistofeles. You met your friends there at intermission, sometimes a dozen of them. There were no cellphones, so you talked to people. Opera was high art that sometimes dickered with the dirt, but it had to remain high. It was where kings and the common people mixed, under the eyes of Phoebus Apollo, god of light and music.

Like Brass’ friend, many of these men passed away—but if they had survived, might the opera have as well? It’s a provocative question, and unfortunately the sort that can’t be answered. But what’s clear is that the gay community’s love of the NYCO did not go unreciprocated. As Brass mentions, a 1991 production of La Traviata had Violetta die of AIDS instead of consumption in the midst of the ongoing crisis, and an opera depicting the life of Harvey Milk was mounted in 1995. More recently, George Steel’s administration seemed to be trying to appeal to the gay sensibility again with campy and moving melodramas like Rufus Wainwright’s Prima Donna (2012) and, of course, Mark-Anthony Turnage’s just-closed Anna Nicole.

Perhaps, as Brass fears, younger audiences just aren’t interested in the artistic spectacle or the unique social mixing space that opera offers anymore; then again, at the Prima Donna performance I attended last year, the hall was filled with young gay men. While we couldn’t keep the company alive, we will surely miss it terribly.  



Talking White

Black people’s disdain for “proper English” and academic achievement is a myth.

Hong Kong’s Protesters Are Ridiculously Polite. That’s What Scares Beijing So Much.

The One Fact About Ebola That Should Calm You: It Spreads Slowly

Operation Backbone

How White Boy Rick, a legendary Detroit cocaine dealer, helped the FBI uncover brazen police corruption.

A Jaw-Dropping Political Ad Aimed at Young Women, Apparently

The XX Factor
Oct. 1 2014 4:05 PM Today in GOP Outreach to Women: You Broads Like Wedding Dresses, Right?

How Even an Old Hipster Can Age Gracefully

On their new albums, Leonard Cohen, Robert Plant, and Loudon Wainwright III show three ways.

How Tattoo Parlors Became the Barber Shops of Hipster Neighborhoods

This Gargantuan Wind Farm in Wyoming Would Be the Hoover Dam of the 21st Century

Oct. 1 2014 8:34 AM This Gargantuan Wind Farm in Wyoming Would Be the Hoover Dam of the 21st Century To undertake a massively ambitious energy project, you don’t need the government anymore.
  News & Politics
Oct. 1 2014 7:26 PM Talking White Black people’s disdain for “proper English” and academic achievement is a myth.
Buy a Small Business
Oct. 1 2014 11:48 PM Inking the Deal Why tattoo parlors are a great small-business bet.
Oct. 1 2014 6:02 PM Facebook Relaxes Its “Real Name” Policy; Drag Queens Celebrate
  Double X
The XX Factor
Oct. 1 2014 5:11 PM Celebrity Feminist Identification Has Reached Peak Meaninglessness
  Slate Plus
Behind the Scenes
Oct. 1 2014 3:24 PM Revelry (and Business) at Mohonk Photos and highlights from Slate’s annual retreat.
Brow Beat
Oct. 1 2014 9:39 PM Tom Cruise Dies Over and Over Again in This Edge of Tomorrow Supercut
Future Tense
Oct. 1 2014 6:59 PM EU’s Next Digital Commissioner Thinks Keeping Nude Celeb Photos in the Cloud Is “Stupid”
  Health & Science
Oct. 1 2014 4:03 PM Does the Earth Really Have a “Hum”? Yes, but probably not the one you’re thinking.
Sports Nut
Oct. 1 2014 5:19 PM Bunt-a-Palooza! How bad was the Kansas City Royals’ bunt-all-the-time strategy in the American League wild-card game?