Lady Gaga sings a Bowie medley in tribute at the Grammy Awards (Video).

Watch Lady Gaga’s Tribute to As Many David Bowies As Possible at the Grammys

Watch Lady Gaga’s Tribute to As Many David Bowies As Possible at the Grammys

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Slate's Culture Blog
Feb. 15 2016 11:28 PM

Watch Lady Gaga’s Tribute to As Many David Bowies As Possible at the Grammys

Lady Gaga performs a medley of David Bowie songs as a tribute to the late singer during the 58th Grammy Awards in Los Angeles, California February 15, 2016. REUTERS/Mario Anzuoni

REUTERS/Mario Anzuoni

Some were concerned that a full-on Lady Gaga tribute to the departed David Bowie might be disappointing. Gaga did her best to dispel those fears through sheer ferocious energy at Monday night's Grammy Awards, running through nine Bowie songs in five minutes while strutting, snarling, and playing some kind of weird robot piano. 

It made for lively TV but a weird and ultimately disappointing tribute to Bowie’s career. Gaga’s look was undeniably perfect, gloriously capturing Bowie’s Ziggy Stardust–era flash and glam. But starting with a careful video duet with Bowie himself on the opening of “Space Oddity,” Gaga’s tribute felt, mostly, like a kind of feverish drag medley, one in which the performer discovers as she goes along how ill-suited she is to the material. It turns out that the rock ’n’ roll persona Bowie adopted for many of his biggest hits—the ones that get played in tribute medleys—was a bad match for Gaga’s strengths. (Only on “Fashion” did she truly nail it.) Gaga’s occasionally fun gender- and genre-bending doesn’t truly compare to Bowie’s truly transgressive and riotously creative decades of self-reinvention. Even the presence of Nile Rodgers tearing it up on guitar couldn’t save the performance from feeling like it was working way too hard to achieve a shadow of the impact Bowie so effortlessly made.


Plus, medleys are the worst. Stop it with the medleys, Grammys. I’d much rather hear one complete David Bowie song than not enough of nine of them, plus a quarter-second of the bass riff from “Under Pressure.”

Dan Kois edits and writes for Slate’s human interest and culture departments. He’s the co-author, with Isaac Butler, of The World Only Spins Forward, a history of Angels in America, and is writing a book called How to Be a Family.