The Decline of Modern Family

Brow Beat
Slate's Culture Blog
Feb. 28 2013 4:21 PM

The Decline of Modern Family

modernfamilydecline
Eric Stonestreet and Rico Rodriguez on Modern Family.

Photo byPeter "Hopper" Stone– ©2013 American Broadcasting Companies, Inc.

Last year on the Hang Up and Listen podcast, Parks and Recreation showrunner Michael Schur said that a “misunderstanding is the weakest form of storytelling.” “It’s the reason that every episode of Three’s Company is so cheesy,” he added, “because you go, ‘Wait, if you just talk to each other like humans for two seconds, you’ll clear this whole misunderstanding up, and the whole premise will go away.’”

I disagree with Schur somewhat—scoring cheap laughs by pandering to an audience’s political or regional biases certainly ranks lower, and there have been brilliant forms of misunderstandings on Arrested Development, Freaks and Geeks, and Modern Family. But the device does tend to grow old quickly. And Modern Family, a show I’ve long loved, can’t seem to draw comedy from anything but misunderstandings and light stereotypes, with the only variation being whether one or both parties are oblivious to the confusion.

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Watching last night’s episode, I could have sworn I had seen it before—it was the one where Phil misunderstands something the audience is well aware of, and Cam and Mitch squabble with each other in a frantic attempt to fix something, and Jay is frustrated with Manny as he comically laments his struggles to succeed in artistic endeavors the typical 8th grade boy isn’t usually interested in pursuing.

But last night’s episode was in fact “new,” albeit only in a technical sense. It’s possible to defend such repetition: Writing in the A.V. Club last week, Todd VanDerWerff argued that Modern Family isn’t a sitcom anymore, but has become, rather, an “institution,” saying that it “has to stay as close as possible every week to what works, lest it stray too far from the stories and characterizations that work, lest it end up in some place where it alienates its massive audience.” He compares it to Cheers and The Cosby Show.

I agree Modern Family is no longer a sitcom. But what it has become is not Cheers or The Cosby Show but something more like Saturday Night Live. It’s essentially a sketch show, with each week’s episode broken up into A, B, and C plots (or sketches) in which the same “Who’s on First”-style misunderstandings are not only repeated over and over, but also repeated every week when the recurring plot (or sketch) is brought back.

In plot A, Phil misinterprets something while providing comic relief with his failure to match the ideal of American masculinity. Claire acts stiff and uptight in contrast to her former wild youth, and their children resort to their usual ditziness and nerdiness. In the B plot, Mitch and Cam run around with their hair on fire frantically trying to fix something that one of them or Lily has caused, usually involving a squabble between the couple in which they both blame each other. And finally, in the C Plot, Jay is frustrated both by Manny’s failure to meet his testosterone-filled expectations of the typical American boy and by Gloria’s failures to understand basic American phrases or concepts. Gloria will also usually make reference to her stereotypical Colombian drug-slum past.

Not every episode contains each one of these scenarios, but they all contain at least one or two of them, mostly drawing laughs from some over-arching confusion between two characters layered over minor bits of confused dialogue.

Last night’s episode, “Best Men,” was typical. In one storyline, Claire and Haley go to see Alex’s band perform. The two believe they are the hip ones doing a favor for their lame family member by seeing her nerdy band. The tables are turned when we learn that Alex’s band is actually cool, and it’s she who is embarrassed by her mom and sister’s presence. That isn’t enough for Modern Family, though. Within that rather obvious reversal of expectations, there are scattered bits of comedic dialogue that rely entirely on misunderstandings. Haley says, “I agreed to dinner, not tickets to the Electric Light Dorkestra.” Claire sternly replies, “Don’t be so mean to your sister.” To which Alex deadpans, “No, that’s our band’s name.”

Meanwhile, it’s insinuated that Manny has been subconsciously obsessed with his mother’s voluptuous breasts, but Jay and Gloria learn he’s actually been obsessed with the figure of the new maid they’ve hired. Phil believes he is driving his son to a date, then learns that it’s the girl’s mother who is romantically interested in Phil. (This is the second time this season Phil has gone on an unexpected date. On the November 14 episode, “Mistery Date,” Phil went out with Matthew Broderick.)

Perhaps the most apt comparison at this point is not Saturday Night Live, but Frasier, another show that relied heavily on miscommunication and cartoonish characters like Niles and Martin. Not coincidentally, I suspect, Frasier also racked up consecutive Outstanding Comedy Series Emmys. I liked Frasier—and I’m still largely entertained by Modern Family, too. But while I eagerly await the new Thursday night episodes of NBC’s sitcoms, I only tepidly anticipate Wednesday’s new rerun of ABC’s tent-pole sketch comedy.

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