<?xml version="1.0" encoding="UTF-8" ?>
<?xml-stylesheet type="text/xsl" href="http://www.slate.com/blogs/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>The XX Factor : Hedda Gabler</title><link>http://www.slate.com/blogs/blogs/xxfactor/archive/tags/Hedda+Gabler/default.aspx</link><description>Tags: Hedda Gabler</description><dc:language>en</dc:language><generator>CommunityServer 2.1 SP2 (Build: 61129.2)</generator><item><title>From the Culture Files...</title><link>http://www.slate.com/blogs/blogs/xxfactor/archive/2009/03/30/from-the-culture-files.aspx</link><pubDate>Mon, 30 Mar 2009 19:47:00 GMT</pubDate><guid isPermaLink="false">b38b617e-fbf1-4816-b2a6-f11ec83af8cb:5119</guid><dc:creator>Meghan O'Rourke</dc:creator><slash:comments>0</slash:comments><comments>http://www.slate.com/blogs/blogs/xxfactor/comments/5119.aspx</comments><wfw:commentRss>http://www.slate.com/blogs/blogs/xxfactor/commentrss.aspx?PostID=5119</wfw:commentRss><description>Here's my culture question of the week: Is it possible to put on a good production of Hedda Gabler in an era when women have so many choices available to them? Hedda, after all, is one of Ibsen's great female characters, a restless housewife with an existential...(&lt;a href="http://www.slate.com/blogs/blogs/xxfactor/archive/2009/03/30/from-the-culture-files.aspx"&gt;read more&lt;/a&gt;)&lt;img src="http://www.slate.com/blogs/aggbug.aspx?PostID=5119" width="1" height="1"&gt;</description><category domain="http://www.slate.com/blogs/blogs/xxfactor/archive/tags/gender+differences/default.aspx">gender differences</category><category domain="http://www.slate.com/blogs/blogs/xxfactor/archive/tags/Hedda+Gabler/default.aspx">Hedda Gabler</category><category domain="http://www.slate.com/blogs/blogs/xxfactor/archive/tags/theatre/default.aspx">theatre</category></item><item><title>David Edelstein on Hedda Gabler </title><link>http://www.slate.com/blogs/blogs/xxfactor/archive/2009/01/29/david-edelstein-on-hedda-gabler.aspx</link><pubDate>Thu, 29 Jan 2009 23:16:00 GMT</pubDate><guid isPermaLink="false">b38b617e-fbf1-4816-b2a6-f11ec83af8cb:4478</guid><dc:creator>Nina Shen Rastogi</dc:creator><slash:comments>0</slash:comments><comments>http://www.slate.com/blogs/blogs/xxfactor/comments/4478.aspx</comments><wfw:commentRss>http://www.slate.com/blogs/blogs/xxfactor/commentrss.aspx?PostID=4478</wfw:commentRss><description>Last year, Broadway got Kristin Scott Thomas in The Seagull and Katie Holmes in All My Sons. In this month's lady-from-Hollywood-takes-on-an-English-class-classic, we have Mary-Louise Parker ( Weeds , Boys on the Side ) as Henrik Ibsen's notoriously difficult...(&lt;a href="http://www.slate.com/blogs/blogs/xxfactor/archive/2009/01/29/david-edelstein-on-hedda-gabler.aspx"&gt;read more&lt;/a&gt;)&lt;img src="http://www.slate.com/blogs/aggbug.aspx?PostID=4478" width="1" height="1"&gt;</description><category domain="http://www.slate.com/blogs/blogs/xxfactor/archive/tags/Angelina+Jolie/default.aspx">Angelina Jolie</category><category domain="http://www.slate.com/blogs/blogs/xxfactor/archive/tags/Hedda+Gabler/default.aspx">Hedda Gabler</category><category domain="http://www.slate.com/blogs/blogs/xxfactor/archive/tags/theater/default.aspx">theater</category><category domain="http://www.slate.com/blogs/blogs/xxfactor/archive/tags/Ben+Brantley/default.aspx">Ben Brantley</category><category domain="http://www.slate.com/blogs/blogs/xxfactor/archive/tags/Broadway/default.aspx">Broadway</category><category domain="http://www.slate.com/blogs/blogs/xxfactor/archive/tags/David+Edelstein/default.aspx">David Edelstein</category><category domain="http://www.slate.com/blogs/blogs/xxfactor/archive/tags/Mary-Louise+Parker/default.aspx">Mary-Louise Parker</category></item></channel></rss>