The XX Factor: What women really think.

Neda and All Her Sisters

Anne Applebaum puts the Neda video in context, by forcefully arguing that women's rights advocates—not Bush or Obama or Twitter—are behind the incredible energy in the Iranian vote and the protests: "The truth is that the high turnout was the result of many years of organizational work carried out by small groups of civil rights activists and, above all, women's groups, working largely unnoticed and without much outside help." She also explains why the presence of so many women on the streets matters:

On Watching Neda's Death

Dana, Susannah: Like many Americans, I watched the “Neda video” yesterday. This is, of course, a horribly shorthand way of saying that I opened a video clip that captures a young Iranian woman dying after being shot. The movie is short. It is “graphic,” if by graphic we mean that we see blood, and the violence that can be done to a body. More subtly, and entirely fascinatingly (in the old, sober sense of the world), it captures the moment a person’s life drains out of her body. I have, in the past, always decided not to watch videos like this (Danny Pearl’s execution, say). This time I changed my mind, and it haunted me all last night.

Why has Neda become a symbol of Iranian freedom? Because we witness the sight of her death. That sight, even at a remove (or perhaps because at a remove), is so difficult to hold in mind that we have to transform it. Ironically...(To read the rest of this post, visit our new website DoubleX.com!)

Is the "Neda" Video a Snuff Movie?

Hanna, thank you for the necessary astringency of your last post about the "Neda" video and the construction of a martyr mythology in the blogosphere’s reporting on Iran. I haven’t been able to bring myself to watch the entire unedited Neda video on YouTube; it feels too close to a snuff movie. Assuming this graphic clip really does document a young woman’s death at the hands of paramilitary snipers—something we lack the reporting to confirm—what gives us the right to watch it and forward to and fro as proof of our solidarity with the forces of democracy and reform in Iran (something that, as you point out, Mousavi is far from representing)? (To read the rest of this post, visit our new website DoubleX.com.)