The XX Factor: What women really think.

Observe ... and Consent?

Now that my wildly ambivalent review of the disturbing new comedy Observe and Report is up, I can address that little matter of date rape in greater detail here. Is it true that Seth Rogen’s character Ronnie, a bipolar mall security guard, forces himself on drunk and drugged cosmetics clerk Brandi (Anna Faris) against her will? On New York magazine’s Vulture blog yesterday, Dan Kois makes a case for the prosecution. In a New York Times profile of the director Jody Hill, Dave Itzkoff disagrees, noting that before the scene is over Faris’ character “indicates that she had given her consent” (I love the Times-ian delicacy of that paraphrase. What she actually says is “Why are you stopping, motherfucker?” And she says it from the perch of a pillow stained with her own vomit.)

There are a lot of things in Observe and Report to feel morally icky about, but for me, this scene didn’t number among them. In fact, it probably made for the biggest laugh in a movie that often had me staring at the screen in slack-jawed dismay. By the rules of this movie’s crude, vapid and ultraviolent world—a world that the movie is (I think) a not-entirely-successful attempt to satirize—Ronnie’s hesitation when he notices his partner is passed out, and her slurred command for him to keep going, constitute a moment of tenderness between the two of them. And when what looks like a creepy sexual assault suddenly becomes a declaration of female agency (when she tells him to keep going, Ronnie apologizes and deferentially complies), it’s the reversal that makes it funny.

Remember the controversy over the use of the term “retard” in last summer’s far funnier comedy Tropic Thunder? My stance on both gags is the same: When a character in a satire engages in bad behavior, it’s not fair to disregard the satire and condemn the simple fact that said behavior is being represented. I’m hoping a few of you will see the movie this weekend and tell me what you think.