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All About Eve

Pixar’s latest kiddie masterpiece, Wall-E, did some massive damage at the box office on its opening weekend. As A.O. Scott recently noted in a New York Times essay about Kit Kittredge (watch this space for more on that film), Pixar has yet to build a movie around a girl protagonist. But Wall-E does prominently feature a pretty bad-ass lady: Wall-E’s crush object, Eve, a sleekly minimalist commando-bot with an itchy trigger finger. What kind of girl is Eve? One XX Factor-er wondered whether Pixar had intentionally made Eve beautiful but dangerous. The hapless Wall-E “is attracted to her,” she noted, “yet fears she will destroy him or, at the very least, come to his house and mess up his stuff.” Is Eve some kind of femme fatale? (Or, given the fact that she looks like a floor model from a Japanese tech show, is she an electronic dragon lady?) I, for one, found Eve’s wanton destructiveness hilarious, and it occurred to me that she actually evokes a specifically male comic archetype—the powerful brute who can’t control his own strength—which I think makes her even funnier, not to mention a little subversive. In other words, I think she’s more Small Wonder than Angelina Jolie.

Eve also fits into another classic comedy narrative: the chic, competent career woman who falls for a bumbling but sweethearted schlub. Do you think Judd Apatow got a consulting credit for that?

The more I thought about it, though, what Eve reminded me of most was the world’s first Eve—in particular, the vision of her found in John Milton’s Paradise Lost. Like her namesake, robot Eve’s initial design objective is to incubate the first stirrings of life; it’s no coincidence that she’s shaped like an egg. And the biblical Eve was pretty destructive in her own right. (“Oh, honey, about that whole ‘ruining our chances at immortality and losing God’s everlasting favor’ thing: Totally my bad.”) But even more significant in my eyes, both Pixar’s film and Milton’s poem are about the importance of finding a true partner and companion. The famous last image of Paradise Lost shows Adam and Eve standing outside the gates of Eden; as they prepare to begin a brand new life in a brand new world, they take hold of each other’s hands. If you saw Wall-E, you know that it’s pretty much a 100-minute pantomime about a boy robot trying to hold hands with an oblivious girl robot—before they go repopulate the Earth. The good stories never change, I guess.

Also in Slate, read Dana Stevens' review of Wall-E and see what critics are saying about the new Pixar film in Slate V's Summary Judgment.