The XX Factor: What women really think.

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  Innocents on Stage

  Posted Thursday, April 16, 2009 12:27 PM | By E.J. Graff

  Well, Dahlia, I disagree: Susan Boyle doesn't look at all like an ordinary suburban woman. I'm as in love with her video as everyone else, and yes, appalled by the condescension with which she's being treated. But I think I understand it. In our era, ordinary suburban women overpluck their eyebrows, overdose their with hair with coloring and cream conditioner, and worry about when they can get to the gym. They don't confess to being 47-year-old virgins on international television. Susan Boyle looks like a throwback to a pre-modern era, a WWI Scottish villager, before 24-hour television, before self-improvement magazines, before the onslaught of the cosmetics and body improvement industries. She's astonishingly innocent of all that hyper-self-consciousness that a generation of para-feminists have been discussing, Naomi Wolf, Susie Orbach, and all the rest who wring their hands publicly about Barbie and absurdly slim models and adolescent bulimia in the Marshall Islands, about the vaunted pressure on girls to be perfect—gorgeous, brilliant, athletic, charming, and sexy all at once. Most human beings are sensitive to how we are perceived—and for many, that has become hypersensitivity in our media-tized world.

  Susan Boyle seems like a kind of miracle: immune to, even innocent of, all that—and yet with a extraordinarily developed and sophisticated voice hidden in her extraordinarily unsophisticated package. It's that contradiction, I think, that has made her a huge hit. Most people would have been afraid and ashamed to appear on stage with an appearance that's so in conflict with how contemporary women are expected to present themselves. How refreshing to see someone who doesn't appear even to notice her appearance—and yet who is proud to carry that fabulous gift!

  Filed under: barbie, Susie Obach, Britain's Got Talent, Susan Boyle, Naomi Wolf, perfect girls

About E.J. Graff

• E.J. Graff is associate director and senior researcher at Brandeis University's Schuster Institute for Investigative Journalism, where she directs the Gender & Justice Project. She is a resident scholar at the Brandeis Women's Studies Research Center. As a journalist and author, her work has appeared in such venues as The New York Times Magazine, The Washington Post, Foreign Policy magazine, The Boston Globe, The Los Angeles Times, Columbia Journalism Review, Good Housekeeping, The Nation, The New Republic, and in more than a dozen anthologies. She collaborated on former Massachusetts Lt. Governor Evelyn Murphy's book Getting Even: Why Women Don't Get Paid Like Men--and What To Do About It (Simon & Schuster, 2005). Her first book, What Is Marriage For? The Strange Social History of Our Most Intimate Institution, has been widely cited in legal journals, reprinted for academic use, entered as courtroom exhibits, and quoted by government policymaking bodies.

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