The Happiness Project: How To Be Happier



  • A Little-Known Occupational Hazard Affecting Writers


    There’s a very common occupational hazard that affects writers, but I’ve never heard anyone talk about it: the desire to write outside your main field.

    I know a journalist who took a sabbatical to write a novel, which turned into a short story. I know a science writer who is writing a play. I know a novelist who is writing a memoir.

    This change can be exhilarating and fun, because it’s a new creative challenge – and that contributes to a happy life.

    It can also be a bit of a pain, because these projects can feel … oppressive. With writing, often, there’s a strange feeling of compulsion. You just have to write about something. I remember hearing Kathryn Harrison remark on a panel, when asked how she chose her topics, “You really have surprisingly little control about what you want to write about.” I knew exactly what she meant. I had to write a book about power, money, fame, and sex—when I was clerking for Justice O’Connor, I was writing that book on the weekends. A few years later, I felt I couldn’t go another day without working on a biography of Churchill.

    Of course, you can choose what you write about. You just can’t choose what you want to write about.

    For the last few years, for example, I’ve been desperately fighting the urge to write a book about St. Therese of Lisieux. I have a lot to say, and I think most of her biographers seriously misread her writing, and I’d love to set everyone straight. But I resist because I’m not Catholic, I have no doctrinal expertise, I don’t even speak French! No one would read my book—but how I would love to lay roses at the feet of my spiritual master, St. Therese.

    Although I write non-fiction, three times in my life, I’ve had an uncontrollable urge to write a novel. My problem is that I’m not much of a storyteller, and these were “novels of ideas.” Which, I know quite well, is not a good way to write a novel. One novel was about the apocalypse, one was about why people destroy their own possessions (I later wrote a non-fiction book, Profane Waste, on this subject, in collaboration with artist Dana Hoey, and it worked much better in that form), and most recently, I wrote a novel-in-a-month about the happiness consequences of two people having an affair. (I describe this experience in The Happiness Project book.)

    One of the reason I love Chris Baty’s novel-in-a-month approach is that for a writer, it can be a gigantic distraction, and therefore a work liability, to have these projects press on you. They get in the way of the work you really need to get done. It’s fun, it’s creative, it’s satisfying, yes, but writers, like everyone, need to be productive in the work for which they’re paid.

    This has happened to me, yet again. I have this idea for a novel – but for once, in a nice change, it’s not a novel of ideas. Well, it is a little bit. But it has more plot than usual. And it actually has some real characters in it. It’s also a young-adult novel, which I’ve never tackled before, although I’m a huge fan of children’s and young-adult literature.

    But what’s the point of view? I imagine it like a movie, distant third-person narrator, but I need to locate it in my main character’s point of view…but then how to handle the gradual reveal of the secrets I want to emerge slowly?

    And how do you kill someone without killing him? I need one of my likable main characters to kill another of my characters, but not really kill him. Any ideas? For example, in Harry Potter, one character dies but doesn’t really die; another character is killed, but isn’t really killed, because he was already mortally injured. In Star Wars, Obi-Wan Kenobi tells Darth Vader, “If you strike me down, I shall become more powerful than you could possibly imagine.” He gets killed, but not really killed. I think I need to re-read Plutarch’s Lives and Polti’s The Thirty-Six Dramatic Situations … maybe there are some ideas there. (Speaking of Polti, has anyone ever updated his scheme, to provide more modern titles to illustrate his 36 situations?)

    I can’t say describe the plot, because it would sound utterly ridiculous, as is always true of fantasy novels. Let’s just say there are no dragons, but there could be dragons. People have super-powers. It has a lot to do with honor and vows, and it would let me write about “symbols beyond words,” one of my untapped major interests. Tree. Horse. Blood.

    But I really don’t have time to be fussing with this right now!

    I mentioned this dilemma to a friend while we were waiting in line to see New Moon on Friday night (yes, I went the first day, I love the Twilight saga). She’s an editor and a YA writer herself, and she said, “You should just write it! That’s the happiness project thing to do!”

    She’s absolutely right. It would make me very happy to write that novel, and I could again follow the scheme in No Plot! No Problem to get it done. But while it would be fun, it would also be draining and difficult and distracting. Plus, I would really try to make it good, but it probably wouldn’t end up being good – and if I go to the trouble to write a book, I really want it to be good. It would be “play,” in that I’d be doing it for fun, but it would use up precisely the same energy that I use for “work.” More time at the keyboard, can I stand it? Of course, it might energize me as well.

    Two additional factors loom in the background: first, I’m extraordinarily lucky to be a working writer, debating whether to do this extra project for fun. I never forget that. Second, the writing world as we know it is collapsing. I’m not sure how to factor that fact in.

    So what to do? I can’t see past the publication date for The Happiness Project, looming so close and yet so far on December 29, so I think I’ll hold on to my idea, try to come up with a way to kill my character without killing him, and promise myself that I’ll make a start on this novel this summer, if I still feel the urge.

    * So much fun to read through 1000 Awesome Things—and the book is coming out soon, too.

    * Interested in starting your own happiness project? If you’d like to take a look at my personal Resolutions Chart, for inspiration, just email me at grubin, then the “at” sign, then gretchenrubin dot com. (Sorry about writing it in that roundabout way; I’m trying to thwart spammers.) Just write “Resolutions Chart” in the subject line.

  • Embrace a Milestone Moment—in My Case, No More Editing


    I’m working on my Happiness Project, and you could have one, too! Everyone’s project will look different, but it’s the rare person who can’t benefit. Join in -- no need to catch up, just jump in right now. Each Friday’s post will help you think about your own happiness project.

    Photo by Medioimages/Photodisc/Getty Images.I’m a big believer in using milestone moments as cues for evaluation, action, and reflection. Even though it’s a bit of a cliché, I’ve seen many examples—including in my own life—when people were prompted to make positive changes because they’d hit a milestone like a major birthday, marriage, the death of a parent, the birth of a child, loss of a job, or the accomplishment of a career marker like getting tenure or making partner (or not). For example, our wedding anniversary is our yearly Be Prepared Day.

    Major milestones don’t happen very often; minor milestones are more frequent, but it’s easy to let them go almost unnoticed.

    I’m trying to pay more attention to milestones—including one I just passed.

    My book, The Happiness Project, is due out in January, and about 10 minutes ago, I completed my work on the stage called “second pass pages” (why it’s called this, I have no idea). After this, NO MORE EDITS. This is it. When I send this stack of pages back to my editor, my book is out of my hands. We still have to decide the cover art and the jacket copy and a million other details, but my work on the book itself will be finished.

    In my rush to go through the book this last time, and to take care of all my other daily duties, I almost didn’t appreciate this milestone. In fact, as a relentless editor of my work, I was more inclined to view this stage as the terrifying point at which I lost control.

    But thanks to my resolution, I paused to give myself a moment to reflect. For better or worse, I’ve achieved the vision that I had that April morning, several years ago now, when I was riding on a bus as it passed through the intersection of 79th and Park and asked myself, “What do I want from life, anyway? I want to be happy. But I never think about what it means to be happy, or whether I am happy. I should have a happiness project!” I didn’t have the idea to write a book about my happiness project for a long time after that, of course. But I had an idea for what my happiness project should be, and in my book, I’ve explained as best I can how I’m doing it.

    This is a happy moment! I’m just going to sit here and drink it in. I feel so grateful for everyone who has helped me, and I feel so lucky that I do for work exactly what I do for fun. I wonder what the last word of the book is? Ah, it’s “window.” I love my book!

    Transitions of any kind can be a helpful prompt to a more thoughtful and grateful frame of mind. Have you had an experience when passing a milestone spurred you to greater reflection or action?

    * I'm sure there's a study that explains why nothing makes you smile faster than watching babies smile, coo, and laugh. (Evolutionary reasons, right?) Check out this video on Gimundo of four laughing babies.

    * Interested in starting your own happiness project? If you’d like to take a look at my personal Resolutions Chart, for inspiration, just e-mail me at grubin, then the “at” sign, then gretchenrubin dot com. (Sorry about writing it in that roundabout way; I’m trying to thwart spammers.) Just write “Resolutions Chart” in the subject line.

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