Making Roadkill Beautiful

The Photo Blog
Feb. 27 2013 11:00 AM

Making Roadkill Beautiful

Marian Drew Still Life / Australiana (2003-2009) Bandicoot with quince.
Bandicoot with quince.

Marian Drew.

Marian Drew is often contacted by people interested in giving her dead animals.

Blame it on Drew’s elaborate still-life studies of dead animals (mostly roadkill) called “Still Life /Australiana (2003-2009).”

“As soon as I had the first exhibition, people said, ‘I have this beautiful bird, would you like to do something with it?’ ” Drew said.

Advertisement

Drew was inspired to create the series after visiting a museum in Germany that exhibited paintings of dead animals. When she returned to Australia and was surrounded by roadkill, she was immediately reminded of the paintings and began working on the series.

“You sort of grow up with roadkill in Australia, and people—me included—try desperately to ignore it,” said Drew. “[Doing the series] seemed like a way to translate the situation of animals dying as a consequence of our dominance of the environment.”

Marian Drew Still Life / Australiana (2003-2009) Rose crowned fruit dove.
Rose crowned fruit dove.

Marian Drew.

Marian Drew Still Life / Australiana (2003-2009) Possum and 5 birds.
Possum and 5 birds.

Marian Drew.

Marian Drew Still Life / Australiana (2003-2009) Kingfisher with Chinese cloth and strawberries.
Kingfisher with Chinese cloth and strawberries.

Marian Drew.

Drew initially started photographing the animals in groups, similar to classic paintings that depict a bounty collected from a hunting trip. “Then I decided I wanted to give significance to each animal, so I shot them as individuals,” Drew noted.

Photographing the animals in a kitchen setting was also meant to add meaning to each animal’s life.

“You can’t get a closer connection than the kitchen table for intimacy or relevance to our lives. … I tried to make them [the animals] beautiful with lights and a slower exposure, so they have a bit of a glow about them,” said Drew.

Marian Drew Still Life / Australiana (2003-2009) Quoll with flowers and bowl - back view.
Quoll with flowers and bowl—back view.

Marian Drew.

The kitchen also helped to bring the idea of death—both the animals’ and our own—into the work.

“It was important to take the animal out of its environment, to decontextualize in order to help us see things in areas where we are not used to seeing them,” said Drew. “And also seeing them in relation to our lives—death is always out there; it’s not just somewhere else.”

Drew shoots film “for all my serious work” using a 6-by-7 medium format camera. “I’m finding the massive amounts of images taken with digital doesn’t mean more is better. The slowness and purposefulness while working with film has a really important place, forcing us to make judgments—and the quality is still superior.”

The reaction from those who have seen her work and the consequent offerings of dead animals isn’t something that has surprised Drew.

Marian Drew Still Life / Australiana (2003-2009) Crow with salt.
Crow with salt.

Marian Drew.

Marian Drew Still Life / Australiana (2003-2009) Lorikeet with green cloth.
Lorikeet with green cloth.

Marian Drew.

“It became a way for the community to acknowledge death and to give some sort of importance to a life rather than just having it get run over by a car, get squashed, and then disregarded,” said Drew.

She has been given small birds, pelicans, bandicoots, penguins (“one died on a beach south of Sydney and somebody brought it up to me”), and even an emu.

“They [emus] do get killed in roads, but this one died on an emu farm, a very ethical emu farm, during a fight, so it died of natural causes—if you can say an emu can die of natural causes on an emu farm.”

Marian Drew Still Life / Australiana (2003-2009) Penguin with eneamel jug.
Penguin with enamel jug.

Marian Drew.

To find out more about Drew’s work, you can visit Dianne Tanzer Gallery + Projects or the project Lorikeet Island.

Marian Drew Still Life / Australiana (2003-2009) Bower bird Swamp hen duck.
Bower bird Swamp hen duck.

Marian Drew.

TODAY IN SLATE

History

The Self-Made Man

The story of America’s most pliable, pernicious, irrepressible myth.

Does Your Child Have Sluggish Cognitive Tempo? Or Is That Just a Disorder Made Up to Scare You?

Mitt Romney May Be Weighing a 2016 Run. That Would Be a Big Mistake.

Amazing Photos From Hong Kong’s Umbrella Revolution

Rehtaeh Parsons Was the Most Famous Victim in Canada. Now, Journalists Can’t Even Say Her Name.

Television

See Me

Transparent is the fall’s only great new show.

Doublex

Lena Dunham, the Book

More shtick than honesty in Not That Kind of Girl.

What a Juicy New Book About Diane Sawyer and Katie Couric Fails to Tell Us About the TV News Business

Rehtaeh Parsons Was the Most Famous Victim in Canada. Now, Journalists Can’t Even Say Her Name.

  News & Politics
Damned Spot
Sept. 30 2014 9:00 AM Now Stare. Don’t Stop. The perfect political wife’s loving gaze in campaign ads.
  Business
Moneybox
Sept. 30 2014 11:25 AM Naomi Klein Is Wrong Multinational corporations are doing more than governments to halt climate change.
  Life
Atlas Obscura
Sept. 30 2014 10:10 AM A Lovable Murderer and Heroic Villain: The Story of Australia's Most Iconic Outlaw
  Double X
Doublex
Sept. 29 2014 11:43 PM Lena Dunham, the Book More shtick than honesty in Not That Kind of Girl.
  Slate Plus
Slate Picks
Sept. 30 2014 11:42 AM Listen to Our September Music Roundup Hot tracks from a cooler month, exclusively for Slate Plus members.
  Arts
Brow Beat
Sept. 30 2014 11:38 AM Tim & Eric Brought Their Twisted Minds—and Jeff Goldblum—to This Bizarre Light Bulb Ad
  Technology
Future Tense
Sept. 30 2014 7:36 AM Almost Humane What sci-fi can teach us about our treatment of prisoners of war.
  Health & Science
Bad Astronomy
Sept. 30 2014 7:30 AM What Lurks Beneath the Methane Lakes of Titan?
  Sports
Sports Nut
Sept. 28 2014 8:30 PM NFL Players Die Young. Or Maybe They Live Long Lives. Why it’s so hard to pin down the effects of football on players’ lives.