Last year Brooklyn Brewery launched an interview series at their brewhouse in Williamsburg, Brooklyn, in conjunction with RISC, a nonprofit that offers instruction on life-saving skills for freelance war journalists. The conversations were an instant hit.
For its second season, Slate partnered with the brewery to film the series. Each month we’ll release our favorite excerpts from the conversations. In the first installment, Steve Hindy, founder of Brooklyn Brewery and a former Associated Press foreign correspondent himself, sits down with Deborah Amos, NPR's Middle East correspondent and the author of Eclipse of the Sunnis. Check back in the next several days for more of the talk.
Before Bashar al-Assad became defined by barrel bombs and starvation tactics—before the ruthless Syrian civil war and its unthinkable atrocities—there was a time, brief as it may have been, when he embodied a new hope for Syria, the Syrian people, and the Middle East at large. He was a charming, Western-educated doctor, an Alawite who crossed the sectarian line and married a Sunni, a fan of Shakespeare who at times was willing to work back channels in negotiations with Israel. He was, in the words of Deborah Amos, the "embodiment of everything Syria wanted to be.”
In the clip above, Amos reflects on the man behind the international pariah, recounting a trip to the Damascus Opera House with the Syrian president to watch a performance of Richard III—a performance where he knowingly slapped his knee in laughter when Baldrick wins an election with 99 percent of the vote.
TODAY IN SLATE
Smash and Grab
Will competitive Senate contests in Kansas and South Dakota lead to more late-breaking races in future elections?
I Am 25. I Don’t Work at Facebook. My Doctors Want Me to Freeze My Eggs.
Republicans Want the Government to Listen to the American Public on Ebola. That’s a Horrible Idea.
The Most Ingenious Teaching Device Ever Invented
Tom Hanks Has a Short Story in the New Yorker. It’s Not Good.
Marvel’s Civil War Is a Far-Right Paranoid Fantasy
It’s also a mess. Can the movies do better?