The King's Speech is an extremely well-made film with a seductive human interest plot, very prettily calculated to appeal to the smarter filmgoer and the latent Anglophile. But it perpetrates a gross falsification of history. One of the very few miscast actors—Timothy Spall as a woefully thin pastiche of Winston Churchill—is the exemplar of this bizarre rewriting. He is shown as a consistent friend of the stuttering prince and his loyal princess and as a man generally in favor of a statesmanlike solution to the crisis of the abdication.
In point of fact, Churchill was—for as long as he dared—a consistent friend of conceited, spoiled, Hitler-sympathizing Edward VIII. And he allowed his romantic attachment to this gargoyle to do great damage to the very dearly bought coalition of forces that was evolving to oppose Nazism and appeasement. Churchill probably has no more hagiographic chronicler than William Manchester, but if you look up the relevant pages of The Last Lion, you will find that the historian virtually gives up on his hero for an entire chapter.
By dint of swallowing his differences with some senior left and liberal politicians, Churchill had helped build a lobby, with strong grass-roots support, against Neville Chamberlain's collusion with European fascism. The group had the resonant name of Arms and the Covenant. Yet, as the crisis deepened in 1936, Churchill diverted himself from this essential work—to the horror of his colleagues—in order to involve himself in keeping a pro-Nazi playboy on the throne. He threw away his political capital in handfuls by turning up at the House of Commons—almost certainly heavily intoxicated, according to Manchester—and making an incoherent speech in defense of "loyalty" to a man who did not understand the concept. In one speech—not cited by Manchester—he spluttered that Edward VIII would "shine in history as the bravest and best-loved of all sovereigns who have worn the island crown." (You can see there how empty and bombastic Churchill's style can sound when he's barking up the wrong tree; never forget that he once described himself as the lone voice warning the British people against the twin menaces of Hitler and Gandhi!)
In the end, Edward VIII proved so stupid and so selfish and so vain that he was beyond salvage, so the moment passed. Or the worst of it did. He remained what is only lightly hinted in the film: a firm admirer of the Third Reich who took his honeymoon there with Mrs. Simpson and was photographed both receiving and giving the Hitler salute. Of his few friends and cronies, the majority were Blackshirt activists like the odious "Fruity" Metcalfe. (Royal biographer Philip Ziegler tried his best to clean up this squalid story a few years ago but eventually gave up.) During his sojourns on the European mainland after his abdication, the Duke of Windsor never ceased to maintain highly irresponsible contacts with Hitler and his puppets and seemed to be advertising his readiness to become a puppet or "regent" if the tide went the other way. This is why Churchill eventually had him removed from Europe and given the sinecure of a colonial governorship in the Bahamas, where he could be well-supervised.
All other considerations to one side, would the true story not have been fractionally more interesting for the audience? But it seems that we shall never reach a time when the Churchill cult is open for honest inspection. And so the film drifts on, with ever more Vaseline being applied to the lens. It is suggested that, once some political road bumps have been surmounted and some impediments in the new young monarch's psyche have been likewise overcome, Britain is herself again, with Churchill and the king at Buckingham Palace and a speech of unity and resistance being readied for delivery.
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