America’s Best High-School Writers

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April 9 2013 6:45 AM

Death of a Sunflower

Young love, bad haircuts, and Fibonacci numbers: An essay by a Scholastic Writing Award–winning high schooler.

Isabella Giovannini.
Isabella Giovannini

Photo by Kristin Winters

Note: Slate is proud to publish two of this year’s winners of the Scholastic Writing Awards, honoring the best teen writers in the country. This piece, which was part of a gold-medal-winning portfolio, is by Isabella Giovannini, a senior at the Dalton School in New York City.

You can read Anthony DeSantis’s “The Culture of Secrets,” part of his gold-medal-winning portfolio, as well.

1.

The sunflower on my desk finally died. Each tiny stoma flared and inhaled one last time—inhaled the whole apartment: the heady scent of tired books, the spicy lunch meat Mom was unwrapping for dinner, and Dad’s hair a-burning as he worked at his computer. Then the flower shuddered, exhaled a puff of golden pollen all over my keyboard and phone, and was dead.

Brrring. Brrring.

My gold-smeared paper towel stops midswipe. Hello?

I’ve never heard your voice over the phone before. I’m almost afraid to switch ears, afraid that in that tiny fraction of a second you’ll say, Oops, wrong number, and I’ll be left alone with the dial tone.

The phone is slippery with pollen and I almost drop it. My hands are streaked with gold where your voice has touched them.

Now even the tips of my fingers look happy.

1.

I fall in love on a Wednesday.

Summer sizzles up from the halal cart on the corner. It leaves greasy smudges on the windows of Starbucks and steams the leaves on the trees.

You run ahead of the group and stop where the sidewalk does. One black All-Star dangles boyishly off the curb. Your white tee beams at us. My gaze snags on the slant of your shoulder blade—follows it upward—I never knew you had so many freckles on the back of your neck. Like someone sprinkled cinnamon under that russet mop of curls.

I’ve known you—what is it?—six years now. I’ve known you longer than I’ve known about deodorant. Since the days when I swore I’d never wear a bra or shave my legs, when I still had two crooked braids and teeth. Unbearably brown braids, thick and long enough for a boy to pull. Although, of course, you didn’t.

Chopping off that hair was so easy—snip, snip, snip. I thought it would be that simple. Snip, snip—let my girlish, futile interest in you fall away, sweep it into a sealed envelope with the date of the haircut.

You turn and my stomach flips. I flick my gaze away, back to Lana next to me.

We join you on the curb—Lana, Noah, Jake, and I. The light changes, but no one moves. After all, we have the whole afternoon to cross the street. Lana lights a Newport. The paper browns crisp like the edges of a pancake.

I’ve never seen your eyes this blue.  

2.

I should know by now to bring a picture to the hairdresser. Show him exactly what I want. I’ve only once walked out of the salon feeling better than when I walked in. The last time I went, I desperately wanted tousled layers—waves breaking on my shoulders, swirling down my back in rivulets. “Beachy waves,” I said. It was June.

Maybe what I really wanted was to be blond.

The hair was shorn, scattered across the floor like an Etch A Sketch had broken. The haircutter reached for the blow-dryer and brush, and I looked at myself in the mirror. This is it.

I kept looking in the mirror as I watched him pull the brush through. Watched the shiny red blow-dryer nuzzle my hair. I watched as he straightened it—straightened my beachy waves—and I said nothing.

“Volume,” I had said. “But not too big on top,” he had said. I had nodded. I had let him talk me out of what I wanted.

I keep telling myself it’ll grow out. But it’ll take months. Months of living with this straight-across cut, timidly short in the front. Hair that says, This girl wanted to be edgy but didn’t quite have the courage. Hair that says, This girl didn’t speak up. Hair that isn’t who I want to be.

3.

You’ve begun to develop a way of walking so close to me on the street that we’re touching all down our sides. I can feel your ribs expand when you laugh—the flutter of your T-shirt against my skin. When you look at me, you look at my eyes, my lips—my whole face, as if you’re capturing the moment—maybe you’re listening intently and sometimes it seems you’re not listening at all.

I catch sight of our reflection in a shop window and try to memorize this. Your laugh fluttering and electric against my skin.

The glass is warped and our reflection is stretched like saltwater taffy. As we walk, our legs condense in thick gobs, then pull and pull until they are only connected to the rest of us by a tiny strand of jean.

I’ve never seen us together before.

You catch me looking and ask what I see. Quickly, I notice the green paint, the florist sign, the flowers behind the glass. They are small and their stalks are still pale green. They are tightly shrouded in petals and will not blossom for a while yet. They are not much to look at, so I say, “Nothing,” and your legs gob up and pull and pull and we walk out of the warped glass.

5.

Mr. Grey stands at the front of the classroom in his shirt that looks like graph paper. His paunch presses against the fabric and I can make out the outline of a belly button—his point of origin.

His mouth is moving but his words are flat as a function with no slope. I rest my head in my hand and look to my left. Noah and Jenny are playing a hormone-fueled game of tic-tac-toe. Parker’s mouth is slack and his eyes are unfocused. But Lana has stopped mid-doodle—I see the makings of a dinosaur, or maybe a giraffe—and she is staring intently at Mr. Grey.

Am I missing something? Has Algebra 2 suddenly become fascinating? I tune in—something something, “ … golden mean. The pattern is everywhere.”

Mr. Grey rubs his hands together in what might be excitement and picks up a piece of chalk. 1, 1, 2, 3, 5, 8 ... “Take any two consecutive Fibonacci numbers,” he says, “and the higher they are, the closer their quotient will be to the golden mean. Everything in nature arranges itself mathematically.”

The way rabbits reproduce. Seeds on a strawberry. Petals on a flower.

“The number of petals on any flower is a Fibonacci number, and they spiral out from the center according to the golden mean. Sunflowers, for instance, always have a Fibonacci number of petals. Typically, a small sunflower will have 34.”

I remember the game we used to play, back when I had those two long braids—he loves me, he loves me not—and how everything hung on that last petal. The question that seemed to determine the course of our whole lives, that question of romance and happiness, was really just a math question. It all boiled down to a Fibonacci number.

8.

My hair is longer now. I coil a lock around a finger and check the black clock on the white wall. Twenty minutes before English.

The cafeteria is gray and the food in it is grayer. Your hair is the only color—I see it from across the room. You’re in the lunch line and I wonder what would happen if I joined you, but then I see you are talking to someone else. The line moves forward and I catch a glimpse of her yellow hair.

You lean forward and rest your hand against the white wall. Your eyes do not leave her face. You laugh and your T-shirt flutters.

That night I get home and turn on the shower. Hot water pours over me, hot as a summer sidewalk, hot as the steam from a halal cart in August, hot as the crisp brown edges of a cigarette.

For the first time, I read the back of the shampoo bottle. It says “massage vigorously.” I close my eyes and there are no colors at all, just the rush of hot water and the fragrant steam and my fingers digging into my scalp.

I pull my hands away and there are still hairs coiled around my fingers. The water hits them, and they fall to the bottom of the tub. They contort in hieroglyphic curlicues, curl and wave meaninglessly on the plastic mat. Finally they slither toward the drain and little bits of me disappear into the pipework.

13.

I love Lana’s house. The kitchen counter is granite, cool to the touch, and just the right amount of shiny. The art on the walls is edgy in a soothing, familiar way. But tonight there is music and the living room is filled with people I only half-know, so I perch on this bar stool and run my fingers over the stone. In my head, I make an inventory of the countertop: used birthday candles, a bowl of strawberries, assorted wax drips, a pink cupcake tower, someone’s empty glass.

A hand reaches for the glass, long and square with nails that need to be cut. I look up to see whose it is—you catch me looking through the tower of pink frosting, forget about the glass and beckon me over.

You are unsteady, and you use my arm for balance. My hair falls in my face and I move to push it away, but suddenly you are very close and before I can think your mouth is on mine and the whole world tilts 30 degrees and I find myself hoping the art doesn’t fall off the walls.

I’ve never paid close attention to this section of wall before. There’s a print of a flower with bright yellow petals and a dark center. Heavy dark lines strike through the picture—there is rain and thunder in the flower’s world. Then I realize those are my eyelashes. I put on mascara because I knew you would be here, and I hated myself for doing it.

Your tongue, your lips, your teeth, your slobber—the whole inside of your mouth is suddenly no longer a mystery to me. Will never be a mystery again. I try to taste you but I taste nothing. I try to feel you, but you are too busy feeling me. I try to smell you but there is nothing to smell.

I remember my eyes are supposed to be closed. I shut them tight and imprinted on my retinas are bright yellow petals. A golden number of petals. A Fibonacci number.

21.

My phone buzzes and I am surprised to see your name. We haven’t spoken since Lana’s party. Months ago. We pass in the black and white hallways and your blue eyes look straight through me.

Buzz.

It’s a text. You want me to have dinner with you at your house. Your parents will be out.

I coil a brown lock around a finger. You must want to reconnect. I remember our reflection in the warped glass and I smile. Yes. I’d like to be friends again.

That night we eat steaming pasta with lots of yellow parmesan. When we are full we go up on your roof and look out over the city. Your eyes sparkle in the lights and the delicious cold. I lean over the edge and when I turn around, you are directly behind me.

Your hands are soft as they cup my face. You smile into me, confident. The night is beautiful and the food was good. “Can I kiss you?”

My stomach flutters like a T-shirt in the breeze. Like your T-shirt, leaning against the white wall of the cafeteria, smiling into the girl with yellow hair.

Another time, another white wall behind you. A sunflower in a storm, petals trembling. Rain slashes them. One by one, they tear away from the dark brown center, fly off into the howling wind. Only one petal is left. Only one golden answer to the math question.

I smile back into your clear blue eyes, just as confident as you are. “No.”

34.

This time when I sit in the barber’s chair, I look the stylist in the mirror and tell him exactly what I want. This time, there is no mistake.

I walk out of the salon and the sunshine is golden. I catch sight of myself in a shop window. The glass is smooth and in it I see my new hair that says, This girl had the courage. Hair that says, This girl spoke up. Hair that is who I want to be.

Isabella Giovannini is an 18-year-old high-school senior from New York. She attends the Dalton School. Isabella won a Portfolio Gold Medal in the 2013 Scholastic Art and Writing Awards.