The National Science Foundation sent Jynne Dilling Martin to Antarctica this winter (the austral summer) as an artist-in-residence. Below are two poems she wrote from there.
“Am Going South, Amundsen”
An oil painting of a jaguar eating an emperor penguin
is the start of a daydream in the Royal Society library.
Nineteen ponies wedged in narrow wooden stalls
sail south; they will soon go blind from miles of radiant snow,
lap at volcanic ash for a last smack of salt, be shot
and fed to dogs. For now they sway this way, sway that.
The magnetic needle dips. Only afterwards we ask if it cost
too much. Will this species be here tomorrow or not?
says the scientist to her assembled team. The ponies eat oats
in silence, the instruments keep ticking, the icy water
washes on and off the deck. A bell abruptly rings a warning:
oxidative stress, methane concentrations, too much heat.
The dragonfish lays her pearlescent eggs beneath the ice
and for ten months stands guard. The sea-stars sway this way,
sway that. We all hope for the best. The adaptive might survive,
the needy will not. Then again, the adaptive likely won’t either.
Sorry we realized too late: we wipe reindeer hair from our eyes,
the glaciated passages too dazzling to quite see clearly.
“What Endures and What Does Not?”
Soon this ship will be crushed in a polar storm; below deck,
pages of the Encyclopedia Britannica are read aloud,
shredded and used to light pipes. A century later
the preservationist draining antique food tins
sneaks a taste of raspberry jam. That night he’ll dream
he digs out a tomb on a glacier filled with bay leaves
still fragrant and green. The emperor penguin egg
tucked warm in the explorer’s pocket is delivered intact
to the receptionist desk at the Royal Geographic Society;
the robbery victim nestles a stone between his feet
and rocks back and forth at the bottom of the world.
Enough seal blubber can keep a single lamp burning
for a thousand years; enough knowledge exists to fill
twenty thousand encyclopedia pages. Lost friends
return to us in dreams, but come morning we can’t recall
what they wanted. Snakes, Snell’s law, Snowblind
curl up into hazy tobacco smoke. The amphipods
in test tubes begin to faint from next century’s
simulated heat; falling leaves fill the air of our dreams.
The biologist drills a hole in the sea snail’s shell
and slides a miniature stethoscope inside, listens
for the heartbeat: it’s beating, still beating, still beating.