Nancy Pelosi was one of the most despised figures of the 2010 midterms. Unlike the power-mad bitch, the witch is not emasculating; rather, she is so liberal and free spending as to be downright scary, maybe even evil. In a typical Nancy-is-evil ad, then-Missouri Democratic Rep. Ike Skelton was shown grinning at Pelosi as a gray sky loomed above their heads and a narrator warned of “his support of Nancy Pelosi’s extreeeme agenda.”
In a long-shot bid to challenge Pelosi’s very safe San Francisco congressional seat, Republican John Dennis took the witch caricature literally, bringing in an actress to portray Pelosi complete with a black hat, a broom, and flying monkeys wearing “I.R.S.” sandwich signs. “Here are my monkeys to make you pay!” the witch shouts at taxpayer Dorothy, until Dennis shows up and throws a bucket of water on her. (Pelosi has been lampooned in this way at least as far back as 2006, when Roll Call’s Mort Kondracke dubbed the incoming speaker “The Wicked Witch of the West” for her arm-twisting tactics.)
An ad in a 2010 Pennsylvania congressional race offered a variation on the theme, portraying Pelosi in animated form as a 50-foot goliath “gorged on our taxpayer dollars,” rising up through the roof of a building and then stomping through streets like Godzilla. More than with any other female politician in recent memory, Pelosi has been grossly caricatured in attack ads.
Negative ads suggesting that female candidates are vacuous and vain occasionally crop up, though they’re dangerous, tending as they do to provoke a backlash against the attacker. In 2008, some women were incensed by a Barack Obama ad called “His Choice.” The ad quotes John McCain discussing how he’ll need to rely on his vice-presidential selection for economic expertise, and then cuts to a video of Sarah Palin winking at the camera. The wink serves as an indictment, playing off Palin’s reputation for good looks and bombast.
In 2000, during a Democratic congressional primary in New Jersey, a female candidate named Maryanne Connelly was portrayed in a radio ad as a contestant on a game show. Asked a policy question, the voice playing Connelly replied, “Ooh, that’s hard.” ‘Nuff said. And in the ad below, from a 2010 state Senate race in North Carolina, Republican Wesley Meredith’s campaign hired an actress to play his opponent, Democratic incumbent Margaret Dickson. Dickson’s lookalike is shown putting on mascara and lipstick and doing her hair, while a voiceover accusers Dickson of insider trading. “Who does she really care about?” the voice asks. “Is it you, or is it just a charade?” Dickson said the ad made her look like a prostitute. She lost the race.
Both male and female candidates can be painted as corrupt, amoral, or degenerate. But, as Democratic strategist Celinda Lake has noted, voters impose a greater penalty on women’s misbehavior, which is probably why ads that accuse female candidates of having no moral center can pack an extra wallop. A recent example of this kind of ad was Sen. Elizabeth Dole’s 2008 accusation that her challenger Kay Hagan had attended a “secret fundraiser” hosted by the founder of a PAC called the Godless Americans. She “took Godless money,” the ad said. The ad actually prompted an anti-Dole backlash in a tight race, however, and Hagan won.
During the 2010 gubernatorial race in South Carolina, now-Gov. Nikki Haley withstood rumors of infidelity and was called a “raghead” by a state lawmaker for her Sikh background. The negative ads against her took a slightly more subtle tack, implying that the Republican candidate was unknown and vaguely nefarious. She “isn’t who she says she is,” one ad suggested. “There’s so much we don’t know about her,” said another. “But we already know we can’t trust her.”
An ad attacking Democrat Ann Richards in 1990 left a lot less to the imagination. During her run for governor, one opponent ran an ad suggesting Richards might be a degenerate drug user. “Did she use marijuana, or something worse, like cocaine?” the ad asked, without offering any proof.
During the 2010 midterms, California Sen. Barbara Boxer faced a challenge from Republican Carly Fiorina. While Boxer was busy accusing Fiorina of holding “reckless” and “dangerous” positions and of being Sarah Palin’s handmaiden, Fiorina hit Boxer with ads depicting her as egotistical, bossy, and fond of hearing herself talk. In the ad below, Boxer’s head grows into a massive hot air balloon and floats across the country, all the while talking, talking, talking, telling “us all how to live our lives,” a narrator says. In another ad, Fiorina attacks Boxer for once asking to be called “senator” instead of “ma’am”—playing off the idea, as Jamieson put it to me, that Boxer is “arrogant and doesn’t know her place.”
In a rare instance of overt sexism, not to mention racism, not to mention insanity, one that will probably never be replicated, a group called Right Turn USA earlier this year launched a bizarre Web ad depicting California Democratic congressional candidate Janice Hahn as a stripper. Nothing is left to the imagination; there’s even a pole and booty shorts. The stripper-as-Hahn shakes her rump as two black men slap her behind and sing, “Give me your cash, bitch.” Ostensibly the ad was an attack on Hahn for having supported, as a Los Angeles councilwoman, efforts to hire “hardcore gang members with taxpayer money to be 'gang intervention specialists.’ ” (Here’s a brilliant rebuttal from the new site FlackCheck.org pointing out the ad’s internal inconsistencies—not that you were likely tempted to take it seriously.) But really, the ad appeared calculated to maximize press coverage through noxiousness. It was successful in that, but in nothing else: Hahn won the election.