How feminist blogs like Jezebel gin up page views by exploiting women's worst tendencies.
One of my friends posted a link to last week's Jezebel post titled "The Daily Show's Woman Problem" as her Gmail chat status, alongside the words "Every woman must read this." Obediently, I clicked, and read a lengthy post that began with the assertion that The Daily Show is a "boys' club where women's contributions are often ignored and dismissed." When I finished reading, I was outraged! But not, as the majority of Jezebel readers and commenters seemed to be, at The Daily Show.
Jezebel writer Irin Carmon's argument is essentially this: "Former videogame show host" Olivia Munn may soon become the show's first new female correspondent in seven years, but her potential hiring is nothing to celebrate, because, while she's a woman, she's not the right kind of woman. She has hosted G4's Attack of the Show for four years, and she has written a book. But, per Carmon, "her previous career path has led some"—meaning, I guess, Carmon and Jezebel commenters—"to criticize The Daily Show for hiring someone better known for suggestively putting things in her mouth on a video game show … and being on the covers of Playboy and Maxim than for her comedic chops." Included as a link is a previous Jezebel post that featured video of Munn jumping into a giant pie while wearing a French maid costume.
The rest of the post was given over to quotes from various comediennes and Daily Show executives who'd been fired, or never hired, by the show. These women spoke to Carmon on and off—mostly off—the record. The overall impression they gave was of a working environment that was either unfriendly or downright hostile to women. It included a boss who once threw a "newspaper or script" at the show's female co-creator and an audition process that put a high value on looks. Female Daily Show employees whose stories didn't fit into this narrative—like longtime female correspondent Samantha Bee, who recently told NPR that the show was a dream workplace for parents of young children, and Daily Show writer and Slate contributor Alison Silverman—were mentioned very briefly. Far more attention-grabbing was the video of Munn suggestively eating a hot dog embedded midway through the post.
As of this writing, Carmon's post has generated almost 1,000 comments and nearly 90,000 page views. It's a prime example of the feminist blogosphere's tendency to tap into the market force of what I've come to think of as "outrage world"—the regularly occurring firestorms stirred up on mainstream, for-profit, woman-targeted blogs like Jezebel and also, to a lesser degree, Slate's own XX Factor and Salon's Broadsheet. They're ignited by writers who are pushing readers to feel what the writers claim is righteously indignant rage but which is actually just petty jealousy, cleverly marketed as feminism. These firestorms are great for page-view-pimping bloggy business. But they promote the exact opposite of progressive thought and rational discourse, and the comment wars they elicit almost inevitably devolve into didactic one-upsmanship and faux-feminist cliché. The vibe is less sisterhood-is-powerful than middle-school clique in-fight, with anyone who dares to step outside of chalk-drawn lines delimiting what's "empowering" and "anti-feminist" inevitably getting flamed and shamed to bits. Paradoxically, in the midst of all the deeply felt concern about women's sexual and professional freedom to look and be however they want, it's considered de rigueur to criticize anyone, like Munn, who dares to seem to want to sexually attract men.
When Jezebel was founded, it proposed itself as an explicit alternative to traditional women's magazines. As any first-year women's studies major will tell you, these glossies make money by exploiting women's insecurities. The editorial content creates ego-wounds ("Do you smell bad? Why isn't he into you?") that advertisers handily salve by offering up makeup and scented tampons. But Jezebel must also sell ad space, and its founders knew that they are marketing to a generation that knew the score about how they'd been marketed to in the past, which meant those old-fashioned print tactics weren't going to work. Page views are generated by commenters who are moved to speak out, then revisit the comment thread endlessly to see how people have responded to their ideas. Ergo, more provocative posts tend to generate far more page views, and the easiest way for Jezebel writers to be provocative is to stoke readers' insecurities—just in a different way.