Game of Thrones premiere reviewed: wolf pups, nubile nobles, some dude named Eddard.

What you're watching.
April 19 2011 7:56 AM

Game On

A "real review" of the Game of Thrones premiere, complete with names spelled out.

Warning: This review contains several spoilers.

Still from Game of Thrones. Click image to expand.
Lena Headey in Game of Thrones

Where were we? The reviewer was confessing a blind spot, wondering vaguely aloud about the flexibility of taste, enjoying himself only fairly. Scarcely had he finally filed when frumious banter erupted deep in the bowels in the comments. In a peanut shell, the gallery demanded a real review. Ye gods! OK, fine. Let us pick through this epic at our own pace.

Troy Patterson Troy Patterson

Troy Patterson is Slate's writer at large and writes the Gentleman Scholar column.

We are looking through a window onto Westeros, a continent in a fictional world. Three fellows on horseback head down a tunnel of sorts, torchlight flickering on pasty faces making dumb shows of awe. They then enter a snowblinding anti-Wonderland. The pilot of Game of Thrones is titled "Winter Is Coming," but carried along with the riders—patrolmen on duty north of a border wall—we get a vastly chilly reception. The vista is icier than Hoth, the tech specs boffo.

Which makes it a bit of a puzzle when the patrolmen encounter a scene of slaughter—unconvincing entrails, Roger Corman corpses, dead bodies like some doll parts. It feels as if a choice has been made to depict cold savagery with a deliberate slight hokiness—to keep the violence at a remove by rendering it in a style that is less than realistic but not quite campy, either. It's sort of serio-whimsical. One rider teases another: "Do the dead frighten you?" One writer says to himself, "Not especially, no." On the other hand, the show gets good oomph from a scene where a litter of direwolf cubs crowd around the teats of a slaughtered mama wolf. The sharp idea gives the sham image some force, and the staginess hums with showmanship.

Advertisement

These will be pets for the children of a noble family. The main man on the scene—unspell-checkably named Eddard Stark—had only recently executed one of the patrolmen from the first sequence as a deserter, turning a beheading into a teachable moment for his kids. It is a matter of honor that he killed the man with his own sword, the great broadsword he is later to be seen polishing contemplatively in a dreamy glade as deep as a 3-D poster. The greens are good here; they range from fallen paradisal to troubled pastoral. But also we get dulled up and dun in by grays, solemn slates, unfun browns, colorless tans ....

When the dialogue is feeling heavy, which is half the time, the conversations take on similar colors; the hushes and grumbles proceed such that tone threatens to muffle content. It's of a piece with the way that Game of Thrones can allow its grand pageantry to overwhelm its fine details. A rich receiving-line scene does not yield a big dividend because the show, setting itself to stun with pomp and circumstance, lets the fleeting glances on the faces of the power players flit away fleetly indeed.

But the pups. Stark, not unsensibly, is eager to off the wolf pups. But a request for mercy goes up with what is, hereabouts, an everyday grandiloquence of tone: "Lord Stark, there are five pups, one for each of the Stark children. The direwolf is a sigil of house ...." Well if you put it that way. The lord bows before the demands of making his own myth.

There will be puppies, and the show will generally be appealing when it works with kids and animals—with a girl who could get a sparrow with a bow and arrow if given the chance, for instance, and a 10-year-old boy whose eyes we don't look through often enough. The boy, by the by, is called Bran, and he is the falling star of this episode's cliffhanger. He earned a shove from a window for witnessing the king's wife trysting with her own brother. Yes, this is one of those. Taking the trip to half-realized, semi-solid Westeros—or, for that matter and in a way even worse, fully formed, largely turgid Antiterra—the audience is exempted from the laws of the good earth and allowed to enjoy some good incest.

Speaking of which, Game of Thrones gets some frisson going with the introduction of Daenerys, the nubile noble I mentioned last time, whose name I learned to spell by reading over a shoulder on the subway. She is played by one Emilia Clarke like a thousand boats on a limpid lake, and a full description awaits in our next chapter. For now, we linger on the sinister shiver produced when Daenerys' brother, preparing to marry her off to a savage, handles her like a sex-slave auctioneer examining the chattel and says, ripely, with feeling, "You don't want to wake the dragon, do you?"

TODAY IN SLATE

History

Slate Plus Early Read: The Self-Made Man

The story of America’s most pliable, pernicious, irrepressible myth.

Rehtaeh Parsons Was the Most Famous Victim in Canada. Now, Journalists Can’t Even Say Her Name.

Mitt Romney May Be Weighing a 2016 Run. That Would Be a Big Mistake.

Amazing Photos From Hong Kong’s Umbrella Revolution

Transparent Is the Fall’s Only Great New Show

The XX Factor

Rehtaeh Parsons Was the Most Famous Victim in Canada

Now, journalists can't even say her name.

Doublex

Lena Dunham, the Book

More shtick than honesty in Not That Kind of Girl.

What a Juicy New Book About Diane Sawyer and Katie Couric Fails to Tell Us About the TV News Business

Does Your Child Have Sluggish Cognitive Tempo? Or Is That Just a Disorder Made Up to Scare You?

  News & Politics
History
Sept. 29 2014 11:45 PM The Self-Made Man The story of America’s most pliable, pernicious, irrepressible myth.
  Business
Moneybox
Sept. 29 2014 7:01 PM We May Never Know If Larry Ellison Flew a Fighter Jet Under the Golden Gate Bridge
  Life
Dear Prudence
Sept. 30 2014 6:00 AM Drive-By Bounty Prudie advises a woman whose boyfriend demands she flash truckers on the highway.
  Double X
Doublex
Sept. 29 2014 11:43 PM Lena Dunham, the Book More shtick than honesty in Not That Kind of Girl.
  Slate Plus
Slate Fare
Sept. 29 2014 8:45 AM Slate Isn’t Too Liberal, but … What readers said about the magazine’s bias and balance.
  Arts
Brow Beat
Sept. 29 2014 9:06 PM Paul Thomas Anderson’s Inherent Vice Looks Like a Comic Masterpiece
  Technology
Future Tense
Sept. 30 2014 7:36 AM Almost Humane What sci-fi can teach us about our treatment of prisoners of war.
  Health & Science
Bad Astronomy
Sept. 30 2014 7:30 AM What Lurks Beneath The Methane Lakes of Titan?
  Sports
Sports Nut
Sept. 28 2014 8:30 PM NFL Players Die Young. Or Maybe They Live Long Lives. Why it’s so hard to pin down the effects of football on players’ lives.