Photography
Listen to poem audio
Who would deal events an instant silence,
rethinking them in black and white and gray?
The eye that says, "Hold still," while awe exempts
[one smaller, straight-edged quadrant of a site]
from the mudslide attrition of day-by-day.
A click's enough to frame a face, a body
[the psyche coaxed outside to show herself],
pausing for a breath that, living still,
vision inhales each time I identify—
or do so with—her mime in monochrome.
*
Photographer, gleaner of epiphanies:
Sepia angle of a Pyramid
egypting the nineteenth-century background,
[one camel's heavy-lidded trance under sawtooth palms].
*
On the propylaeum steps, beneath a scarred Ionic column,
[two stoic guides, crouched, hugging their knees]
sit tight for the exposure and the duration.
*
[A phaeton stopping at the Place de l'Opéra.]
[Crowds surging across the London Bridge.]
Alfred Corn is the author of nine books of poems, most recently Contradictions. This spring, Pentameters Theatre in London will produce his play Lowell's Bedlam.
Clickhere to visit Robert Pinsky's Favorite Poem Project site.To submit poetry to Slate, send up to five poems and a self-addressed, stamped envelope to: Robert Pinsky, Slate Magazine, Boston University, 236 Bay State Road, Boston, MA, 02215.


