Munich reinforces the idea that—great Miltonian allegories notwithstanding—the notion of evil has become profoundly maladaptive. Today, saying our enemy is "evil" is like saying a preventable tragedy is "God's will": It's a way of letting ourselves off the hook for crimes committed in our name. Not incidentally, it's also a way for our enemies to let themselves off the hook.
Munich has been regarded in some quarters as an affront: How does Spielberg have the audacity to make a commercial thriller that questions the very concept of retaliation? And while we're on the subject, how does he have the audacity to make a sci-fi picture like War of the Worlds, which uses a Martian invasion to evoke the trauma of 9/11?
Well, it's too bad we don't have more mainstream narrative filmmakers with that kind of audacity. Munich is the most potent, the most vital, the best movie of the year.
TODAY IN SLATE
The Right to Run
If you can vote, you should be able to run for public office—any office.
Move Aside, Oxford Comma, the New Battle Is Over Single or Double Quotes
Renée Zellweger’s New Face Is Too Real
Sleater-Kinney Was Once America’s Best Rock Band
Can it be again?
Ben Bradlee’s Fascinating Relationship With JFK
The Simpsons World App Is Finally Here
I feel like a kid in some kind of store.
Driving in Circles
The autonomous Google car may never actually happen.