Unsuspicious MindsHBO’s new two-part Elvis documentary offers a treasure trove of footage but whitewashes some aspects of his story.
A Quiet Place Can Only Be Fully Experienced in the TheaterJohn Krasinski’s inventive thriller—in which aliens attack anything that makes a sound—rewards those who sit in silence.
You Were Never Really Here Hits You Like a HammerLynne Ramsay’s new thriller may be a blunt instrument, but she knows exactly where she wants to strike.
Steven Soderbergh’s Unsane Wants to Make You Feel CrazyIs Claire Foy being gaslighted, or is it you?
The New Tomb Raider Finds a Different Way of Admiring Female BodiesIn the thrilling new video game adaptation—whoever thought we’d say that?—the pleasure is in seeing all that Alicia Vikander’s Lara Croft can do.
The Strangers: Prey at Night’s Only Value Is as a Reminder of What Made the Original a MasterpieceThe sequel is as determined to lean into well-worn horror-movie tropes as the original film was to invert them.
Game Night Is a Team Effort, but Rachel McAdams Is the Big WinnerRachel McAdams and Jason Bateman ground an increasingly outlandish satire.
Annihilation Wants to Be the Ultimate Trip, but It’s Not Always Clear Where It’s GoingThe new film from Ex Machina writer-director Alex Garland has a contempt for clichés but can’t always find something satisfying to replace them.
Early Man Shows That Primitive Technologies Can Still Achieve WondersThe new movie from the team behind Wallace and Gromit and Chicken Run is a plasticine tribute to the Pleistocene era.
The 15:17 to Paris Is Such a Meandering, Tedious Ride It’s Almost Avant-GardeClint Eastwood’s latest never finds its greater purpose.
Oscar Nominee A Fantastic Woman Tells a Different Kind of Trans StoryFocusing its camera on trans actress Daniela Vega, the Chilean drama allows us to see not an actorly transformation but a fully formed person.
The King vs. the “Reality Star Fool”The King, Eugene Jarecki’s latest documentary, compares the glorious ascendance and pitiful demise of Elvis Presley to the Trump era.
Finally, a Sensitive Portrayal of Both Autistic Women and Star Trek FansPlease Stand By boldly goes where too few films have gone before.
Don’t Let Anyone Stop You From Seeing BlockersThis comedy about the sexual desires of teenage girls is uproarious, irreverent, and surprisingly progressive.
Ready Player One Is a Feat of State-of-the-Art Pop Culture Navel-GazingIt’s juvenile, but Steven Spielberg’s TurboGrafx set pieces are worth your tokens.
Wes Anderson’s Talking-Canine Picture Isle of Dogs Feels As Real As Any of His MoviesThe filmmaker may be most at home with stop-motion puppets, but his latest shows he’s not afraid to get political.
The Task Is a Movie That Makes You Feel Like You’re Being WatchedThe task is to discover what The Task is.
A Wrinkle in Time Is Less Subtle Than a Tesseract, but It Finds Moments of Humanity When It CanIf you’re a tween, or able to tap into your inner tween, you just might fall for it.
Feminism Has Done Worse Than Jennifer Lawrence’s Red SparrowThe new spy thriller tries to reclaim the femme fatale, but it’s more interested in women’s bodies than in their experiences.
Watching Netflix’s Mute Is Like Counting Electric SheepDuncan Jones’ dream project was hyped as a daring spiritual sequel to Blade Runner. Instead it just feels like a retread.
Black Panther Is a Marvel Movie Superpowered by Its IdeasIt isn’t just great for what it is. It’s great for what it says.
Fifty Shades Freed Is Basically Just Constant Boning, Which Is GreatEven if it occasionally gets distracted by things like plot.
A Fantastic Woman Shows That Trans Stories Are Not Just Transition StoriesUnlike so many movies about the trans experience, this Oscar nominee makes a point of showing its protagonist only as she always was.
A Futile and Stupid Gesture Fails to Capture the Spirit of the National LampoonDavid Wain’s Netflix movie about Doug Kenney can’t decide whether it’s a solemn biopic or an Animal House–esque farce.
Kangaroo: A Love-Hate Story Examines Australians’ Relationship With the National Icon They Both Love and EatHow did such an innately lovable, national icon come to be considered a pest?
The Tale Is the Perfect Movie for Our #MeToo MomentThe film that left Sundance shell-shocked blurs the lines between fiction and nonfiction, past and present, victim and hero.