Sofia Coppola's film makes deft cinematic use of this material, though it leaves out Rose Bertin. Coppola instead conveys Marie Antoinette's fashion appetite as an unappeasable lust for fabulous shoes and fabulous sweets, both shown perpetually being reached for and consumed with great speed to a musical beat, along with endless champagne being poured and swilled. This strikes a sharply modern chord, and Caroline Weber herself, in a recent New York Times op-ed piece, has approved its warning note.
TODAY IN SLATE
More Than Scottish Pride
Scotland’s referendum isn’t about nationalism. It’s about a system that failed, and a new generation looking to take a chance on itself.
What Charles Barkley Gets Wrong About Corporal Punishment and Black Culture
Why Greenland’s “Dark Snow” Should Worry You
Three Talented Actresses in Three Terrible New Shows
The Human Need to Find Connections in Everything
It’s the source of creativity and delusions. It can harm us more than it helps us.
Happy Constitution Day!
Too bad it’s almost certainly unconstitutional.