Was Edvard Munch a One-Hit Wonder?

Answers to your questions about the news.
May 3 2012 6:16 PM

Was Edvard Munch a One-Hit Wonder?

Plus: What's so great about The Scream, anyway?

National Gallery, Oslo, Norway.
Edvard Munch's The Scream

"The Scream" by Edvard Munch.

An unidentified buyer purchased Edvard Munch’s The Scream for nearly $120 million at auction on Wednesday. Despite the phenomenal popularity of The Scream, it's likely that few people outside of Norway could name another Munch painting. Are there one-hit wonders in the world of fine art?

Yes. Plenty of painters have managed to capture the public’s attention with a single work of genius, while their other work remains relatively unknown. The best known to Americans is Grant Wood, who painted American Gothic, but Théodore Géricault (The Raft of the Medusa) and Antoine-Jean Gros (Bonaparte Visiting the Plague Victims of Jaffa) are also classic examples. These artists produced plenty of other work before and after creating their masterpieces, but none earned them much public notice or critical acclaim.

University of Chicago economist David Galenson has compiled a list of one-hit-wonder artists in recent history, based on the number of mentions their masterpieces have received in scholarly literature, compared to mentions of their lesser works. According to this approach, the sculptor and landscape artist Maya Lin might be the classic one-hit wonder. When she designed the Vietnam Veterans Memorial in Washington, D.C. while still a college student in 1981, her work was absolutely revolutionary. Before Lin, war memorials almost always featured statues of soldiers. (Think of the Iwo Jima Memorial.) Today, they almost never do. And yet, Maya Lin hasn’t produced anything else that's been deemed worthy of much talk in academic circles.

Advertisement

Galenson explains the phenomenon by breaking artists into two categories. Experimentalists refine and improve their ideas over the course of their careers, producing their best work later in life. Cezanne’s later paintings, for example, sell for significantly more than his early works. Conceptual artists, in contrast, are revolutionaries—they turn heads by taking a completely new approach. Picasso was conceptual. Even though he worked into his 90s, he did his most interesting work in his 20s. Picasso wasn't a one-hit wonder, of course, but many conceptual artists tend to fade away after unveiling their big, revolutionary idea. What started as an exciting, new approach eventually becomes commonplace, and few conceptualists have more than one revolutionary idea to share.

It might be unfair to categorize Edvard Munch as a one-hit wonder. His 1894 painting Vampire sold for $38 million in 2008, and plenty of art critics are interested in his lesser-known work. Still, he fits rather well into the conceptualist-revolutionary category. With his manic line patterns and color palettes, Munch introduced a new aesthetic to painting in the 1890s, and critics didn’t know how to categorize much of his early work. (A Frankfurt newspaper wrote that an 1892 Munch exhibition “put art in mortal danger,” and an association of German artists voted to shutter it after only a few days.) But Munch lost something as he aged. His 20th-century paintings show technical mastery, but most critics find they lack the emotional impact of his Frieze of Life series, of which The Scream was a part. Some historians attribute the blandness of Munch’s later paintings to his improved mental health, but it’s possible that he simply ran out of ideas.

Bonus Explainer: What's so great about The Scream, anyway? Like later Expressionist works, it filters sensory perception through the human psyche. Munch's swirls capture the chaotic, vibrating pulses that a particular Oslo sunset had produced in his mind. The lines seem to race away from the painted figure, providing a feeling of vertiginous isolation. The face is devoid of recognizable personal traits—it is “sexless, twisted, [and] fetal-faced,” one journalist wrote—as though terror has stripped its identity.

Why did The Scream, and not other works done in the same style, become the most famous painting since the Mona Lisa? The most widely accepted explanation is that it continues to terrify us. Munch noted that he'd created an image for a godless age, as people struggled to understand their place in a world without divine purpose. (That’s one of the reasons the painting shocked 19th-century audiences.) After a century of mechanization and generally advancing secularism, The Scream continues to resonate because the inner turmoil it depicts remains part of the human condition. By this theory, the endless stream of gag gifts and memorabilia that feature the painting, including greeting cards, blow-up dolls and Whoopee cushions, represent an attempt to soften The Scream’s overwhelming psychological impact.

Got a question about today’s news? Ask the Explainer.

Explainer thanks David W. Galenson of the University of Chicago, author of Old Masters and Young Geniuses: The Two Life Cycles of Artistic Creativity, and Elizabeth Prelinger of Georgetown University, author of Edvard Munch: Master Prints.

TODAY IN SLATE

Doublex

Crying Rape

False rape accusations exist, and they are a serious problem.

Scotland Is Just the Beginning. Expect More Political Earthquakes in Europe.

I Bought the Huge iPhone. I’m Already Thinking of Returning It.

The Music Industry Is Ignoring Some of the Best Black Women Singing R&B

How Will You Carry Around Your Huge New iPhone? Apple Pants!

Medical Examiner

The Most Terrifying Thing About Ebola 

The disease threatens humanity by preying on humanity.

Television

The Other Huxtable Effect

Thirty years ago, The Cosby Show gave us one of TV’s great feminists.

Lifetime Didn’t Find the Steubenville Rape Case Dramatic Enough. So They Added a Little Self-Immolation.

No, New York Times, Shonda Rhimes Is Not an “Angry Black Woman” 

Brow Beat
Sept. 19 2014 1:39 PM Shonda Rhimes Is Not an “Angry Black Woman,” New York Times. Neither Are Her Characters.
Behold
Sept. 19 2014 1:11 PM An Up-Close Look at the U.S.–Mexico Border
  News & Politics
Weigel
Sept. 19 2014 9:15 PM Chris Christie, Better Than Ever
  Business
Moneybox
Sept. 19 2014 6:35 PM Pabst Blue Ribbon is Being Sold to the Russians, Was So Over Anyway
  Life
Inside Higher Ed
Sept. 19 2014 1:34 PM Empty Seats, Fewer Donors? College football isn’t attracting the audience it used to.
  Double X
The XX Factor
Sept. 19 2014 4:58 PM Steubenville Gets the Lifetime Treatment (And a Cheerleader Erupts Into Flames)
  Slate Plus
Slate Picks
Sept. 19 2014 12:00 PM What Happened at Slate This Week? The Slatest editor tells us to read well-informed skepticism, media criticism, and more.
  Arts
Brow Beat
Sept. 19 2014 4:48 PM You Should Be Listening to Sbtrkt
  Technology
Future Tense
Sept. 19 2014 6:31 PM The One Big Problem With the Enormous New iPhone
  Health & Science
Medical Examiner
Sept. 19 2014 5:09 PM Did America Get Fat by Drinking Diet Soda?   A high-profile study points the finger at artificial sweeteners.
  Sports
Sports Nut
Sept. 18 2014 11:42 AM Grandmaster Clash One of the most amazing feats in chess history just happened, and no one noticed.