Despite these tortured performances, the idea of "Jimmy Stewart, Everyman" not only persisted but grew—even after, in Anatomy of a Murder (1959), he slyly played a "country lawyer" whose false projection of sincerity acquits a guilty man. His workmanlike biopics, three of which are included in The Signature Collection, may have helped burnish this reputation. But, most likely, that image survived because Stewart was not, for the public, an actor: He was a star. And our image of stars stems not only—perhaps hardly at all—from what we see on-screen, but from what we know or invent of their personal lives. In this respect, Stewart was the anti-Mel Gibson: His upstanding reputation (Princeton graduate from a small town, genuine war hero, and husband of 45 years) made, and continues to make, his on-screen darkness a little hard to see.
TODAY IN SLATE
Don’t Worry, Obama Isn’t Sending U.S. Troops to Fight ISIS
But the next president might.
The Extraordinary Amicus Brief That Attempts to Explain the Wu-Tang Clan to the Supreme Court Justices
Amazon Is Officially a Gadget Company. Here Are Its Six New Devices.
The Human Need to Find Connections in Everything
It’s the source of creativity and delusions. It can harm us more than it helps us.
How Much Should You Loathe NFL Commissioner Roger Goodell?
Here are the facts.
The Plight of the Pre-Legalization Marijuana Offender
What should happen to weed users and dealers busted before the stuff was legal?