Why Do We Live in Houses, Anyway?
A brief history of the home.
In his new book, Last Harvest: How a Cornfield Became New Daleville, Witold Rybczynski follows the design, construction, and marketing of a new residential subdivision over the course of several years. In the process, he explains how modern homes and communities are built. In today's excerpt, the first of three, Rybczynski examines why we live in houses. Tomorrow's excerpt explains how Americans fell in and out of love with the ranch house. Wednesday's slide show follows the evolution of New Daleville step-by-step, from cornfield to subdivision.
Four out of five new housing units built in the United States are single-family houses.This statistic has less to do with the nature of the home-building industry, or the suburban location of new housing, than with buyers' preferences, that is, What People Want.
Many things—government policies, tax structures, financing methods, home-ownership patterns, and availability of land—account for how people choose to live, but the most important factor is culture. To understand why we live in houses, it is necessary to go back several hundred years to Europe. Rural people have always lived in houses, but the typical medieval town dwelling, which combined living space and workplace, was occupied by a mixture of extended families, servants, and employees. This changed in 17th-century Holland. The Netherlands was Europe's first republic, and the world's first middle-class nation. Prosperity allowed extensive home ownership, republicanism discouraged the widespread use of servants, a love of children promoted the nuclear family, and Calvinism encouraged thrift and other domestic virtues. These circumstances, coupled with a particular affection for the private family home, brought about a cultural revolution.People began to live and work in separate places; children grew up with their parents (rather than being apprenticed to strangers, as before); and the home, securely under the control of what we would now call the "housewife," was restricted to the immediate family. This intimate domestic haven was always a house. Seventeenth-century Dutch cities and towns were composed almost entirely of houses built in rows, side by side, wide or narrow depending on the wealth of the owner.
The idea of urban houses spread to the British Isles thanks to England's strong commercial and cultural links with the Netherlands. In the 18th and 19th centuries, Britain adopted the row house in many guises, as Georgian crescent, middle-class terrace, and workingmen's row. It has been estimated that, by the beginning of the 20th century, nine out of 10 dwellings in England and Wales were row houses. The United States (along with Ireland, Canada, and Australia) inherited the Anglo-Dutch house tradition, and three-quarters of Americans now live in houses.Contrary to popular opinion, this is not a reflection of suburbanization, since most city dwellers live in houses, too.
It's one thing to say that people prefer to live in a house, but what kind of house? Basically, there are three choices: a free-standing house, a house sharing common walls with its neighbors, and a house that is oriented to an inner court. The last is an ancient model. The Roman dwelling was the classic courtyard house. Generally one story high, it covered the entire lot. Depending on its size, it had one or several open-air courtyards. The courtyard house, small or large, was the dwelling of choice; only the poorest Romans lived in insulae, or multistory tenements.
Courtyard houses are limited to one or two stories; otherwise, the courts become too dark. If land is at a premium, as it was in 17th-century Amsterdam, three- or four-story row houses are a higher-density alternative. The occupants of a row house must make concessions, however. The interior layouts will be constrained by the long, narrow shape and the limited number of windows. The backyards can be overlooked by neighboring houses. Privacy—visual and acoustic—is reduced. Semidetached houses, sometimes called twins, which share a wall with only one neighbor, mitigate some of these defects, since they have more windows and wider yards. In Britain, once a nation of row houses, today approximately one-third of all houses are semidetached.
Witold Rybczynski is Slate's architecture critic His latest book is The Biography of a Building: How Robert Sainsbury and Norman Foster Built a Great Museum. Visit his Web site. Follow him on Twitter.
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